Matt Smith as Jack and Anya Taylor-Joy stars as Sandie in “Last Night in Soho.” Cr: Focus Features

Edgar Wright and the Dark Seduction of “Last Night in Soho”

In Wright’s psychological thriller, an aspiring fashion designer is mysteriously able to enter the 1960s… but not all it appears to be as the dreams of the past start to crack and splinter into something much darker. “It’s a love letter to the past, but a warning as well not to look back with too much nostalgia.” Take a time-traveling adventure.

Daniel Craig as James Bond in “No Time To Die.” Cr: MGM

What the Next Few Months Will Tell Us About “the Movies”

Bond is back — but will audiences follow? That’s the multi-million dollar question to which no one in Hollywood knows the answer. Or perhaps even cares, since the studios’ first priority is no longer theatrical but streaming.

Teyonah Parris as Brianna Cartwright in “Candyman.” Cr: Universal Pictures

Say It Five Times: Director Nia DaCosta Makes Her Own Mythology With “Candyman”

“In expanding the legend and creating a bigger story about racial violence as a whole, it definitely shifted us away from, you know, seeing people in the hood getting killed. Part of that was wanting to flip on its head what happened in the [1992] film,” she says. How did she do this?

Now Available for Viewing:
The Future of NFTs — How Next-Gen Tech Will Shape the Media Landscape
5G broadcast primetime streaming
Now Available for Viewing:
How Shifting Consumer Habits Will Impact the Future of SVOD
virtual production
Now Available for Viewing:
Virtual Production Pipelines 101

Photograph by Karolina Wojtasik/HBO Max Zion Moreno and Lee Smith in HBO MAX's "Gossip Girl"
Better Understanding How Gen Z Engages With Video

Photograph by Warrick Page / HBO Max Justice Smith, Haley Sanchez and Chase Sui Wonders in HBO MAX's "Genera+ion"
What Gen Z Expects (Requires) from Digital Experiences
live streaming video
How Live Streaming Fuels Social App Engagement

What Is the Value of an NFT?
Do Copyright and IP Laws Apply to Blockchain Content?
Crypto Hollywood: Why Studios Are Backing Blockchain Projects
Ron Mael and Russel Mael in “The Sparks Brothers.” Cr: Focus Features
“The Sparks Brothers:” Assembling a Musical Odyssey Turned Pop Art Documentary
Anthony Bourdain stars in Morgan Neville’s documentary “Roadrunner.” Cr: CNN/Focus Features
Crossing the Line: How the “Roadrunner” Documentary Created an Ethics Firestorm
Producer and interviewer Rick Rubin and Sir Paul McCartney in director Zachary Heinzerling’s documentary series, “McCartney 3, 2, 1.” Cr: Hulu
Things We Said Today: Making “McCartney 3, 2, 1”
Jean Smart as Deborah Vance in “Hacks.” Cr: Warner Media
Comedic Timing: Editing “Hacks”
Jason Sudeikis in “Ted Lasso,” now streaming on Apple TV+.
Editing “Ted Lasso:” Yes, It’s Exactly Like a Soccer Match
“The Green Knight:” Magical Storytelling from a Motel Room
A screenshot from the psychedelic Ariana Grande live experience on “Fortnite.” Cr: Epic Games
Ariana Grande’s Fortnite Concert Opens Up the Metaverse
Why and How the Metaverse Will Supplant the Internet
Why the Metaverse Needs to Be Open | Source: IEEE Spectrum
A Framework for the Metaverse from Hardware to Hollywood and Everything in Between

The Metaverse: Where Did It Come From and Where Is It Going?

What is the Metaverse and Why Should You Care?
camera to cloud workflows
Moving Streaming Production to the Cloud
end to end cloud
Big Bang or, Um, Small-to-Medium Bang? Lessons in Cloud Migration
distributed production
Distributed Production Is the New Norm. Now About Those Lingering Questions…
cloud computing video
5G, Mobile and Edge Are Key to the $67.5 Billion Cloud Video Market
cloud production
Pink Skies Ahead for Cloud-Based Production?
OTT cloud
MPEG-2 May Be Entrenched, But Cloud Encoding is On the Horizon
James McAvoy in “His Dark Materials.” Image courtesy of HBO.
“Filmmaking 1.0 to Filmmaking 5.0” — Virtual Production Technology Is Ready.
virtual production
Take a Tour of ARRI’s Dark Bay Mixed Reality Studio
How Do You Get All (No, Really, ALL) the On-Set Data?
I Am a Camera: “Inside,” Bo Burnham’s “Selfie” Netflix Special
Riley Keough as Stefani and Taylour Paige as Zola in director Janicza Bravo’s “Zola.” Cr: Anna Kooris/A24
“Zola” Director Janicza Bravo Has One Crazy Story to Tell
“Beyond the Infinite Two Minutes”
“Beyond the Infinite Two Minutes:” All Just A Little Bit of History Repeating
Idris Elba as Bloodsport and King Shark in director James Gunn’s “The Suicide Squad.” Cr: Warner Bros. Pictures/DC Comics
“The Suicide Squad:” How James Gunn Completed His Mission
Scarlett Johansson as Natasha Romanoff/Black Widow in Marvel’s “Black Widow.” Cr: Marvel Studios
How Cate Shortland Made the Fierce, Ultra-Feminist “Black Widow”
Loki (Tom Hiddleston) in Marvel Studios' “Loki.” Cr: Chuck Zlotnick/Marvel Studios
Mischief Making: The Visuals for “Loki”
Can the Creator Economy Actually Change… the Economy?
"Garden of Earthly Delights, central panel detail 1" by f_snarfel is licensed with CC BY-NC 2.0. To view a copy of this license, visit
Is the Creator Economy Really a Democratic Utopia Realized?
The Creator Economy Is in Crisis. Now Let’s Fix It.
VR and brainwaves
VR and Brain Waves: How Little We Know
Lady Gaga in “911,” directed by Tarsem Singh. Cr: CEEK
Is VR the New MTV?
“The Infinite:” Producing Full-Body, Multisensory and Interactive VR
VR virtual reality
VR May Not Be the Future of Entertainment, But It’s the Future of Something
VR virtual reality
VR’s Field of Dreams Fail
Free Guy
VR in the Movies Is a Real Nightmare

TV television news
TV News Is Having an Existential Crisis
What Consumers Want from a News “Broadcast”

TV television
Media in 2030 Will Be a Universal Supermarket

streaming OTT
The Tech That’ll Take Streaming Into the Future
Key art from the Netflix series “Clickbait”
How Should We Gauge Streaming Success?
AI encoding artificial intelligence
AI Encoding is Evolving (Everywhere)
compression AI
AI Compression Has Entered the Room

codec compression
Bitrate Spend: A Compressed Guide to the Cost of Codecs
SRT transport delivery
Send Those Streams: Understanding Secure Reliable Transport

Kate Winslet in “Mare of Easttown.” Cr: HBO
How Remote Editing Helped Make “Mare of Easttown”
Julianne Moore in “Lisey’s Story,” now streaming on Apple TV+.
Depth in The Darkness: Telling “Lisey’s Story”
Scarlett Johansson as Black Widow/Natasha Romanoff in Marvel Studios' “Black Widow,” available as a premium rental for Disney+ members, alongside its theatrical release. Photo by Jay Maidment. ©Marvel Studios 2020. All Rights Reserved.
“Black Widow” Cinematography: How to Keep the Focus on the Film’s Characters
Volumetric capture on Neill Blomkamp’s film "Demonic," courtesy of IFC Midnight. An IFC Midnight Release.
Video Game Technology’s Impact on Filmmaking Has Only Just Started
"NYC - MoMA - René Magritte's The False Mirror" by wallyg is licensed with CC BY-NC-ND 2.0. To view a copy of this license, visit
Is There More To a Digital Image Than Meets the Eye?
12K Did Not Come to Play

“Blade Runner” (1982) directed by Ridley Scott. Cr: Warner Bros.
“Blade Runner” Tech Revisited: Honestly, Seems About Right
Mamma Mia, Here I Go Again (But With Volumetric Capture)
"'La main (Les remords de conscience), The Hand [Remorse]),' by Salvador Dali" by mark6mauno is licensed with CC BY-NC 2.0. To view a copy of this license, visit
Better Working Through Chemistry?
"Andy Warhol - Marilyn Monroe [1967]" by Gandalf's Gallery is licensed with CC BY-NC-SA 2.0. To view a copy of this license, visit
What Frames What
Copyright: © 2020 Warner Bros. Entertainment Inc. All Rights Reserved. Photo Credit: Courtesy of Warner Bros. Pictures and Legendary Pictures Caption: (L-r) ZENDAYA as Chani and TIMOTHÉE CHALAMET as Paul Atreides in Warner Bros. Pictures’ and Legendary Pictures’ action adventure “DUNE,” a Warner Bros. Pictures and Legendary release.
What to Watch (and Where) (and Why)
This is How to Truly Unlock Your Creativity
world brain
World Brain: What H.G. Wells Got Right and Wrong
theatrical exhibitiom
What Are Movies Now Anyway?
Does Your Use of Technology Carry Ethical Weight?


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