Crime Scenes: Editing “Only Murders in the Building”
2023 NAB Show New York Amplified
Get your first look at NAB Show New York, taking place at the Javits Center October 24-26, 2023, with exhibits running October 25-26. Learn how to build your perfect show […]
Make Connections, Share Some S’mores at NAB Show New York’s Campfire Sessions
NAB Show New York invites you to participate in our campfire-style networking sessions, designed to facilitate connection and learning.
Crime Scenes: Editing “Only Murders in the Building”
“Only Murders in the Building” editor Shelly Westerman will join Bobbie O’Steen at NAB Show New York’s Insight Theater Oct. 25 at 3 p.m.
How “The Creator” Creator Gareth Edwards Is Thinking About AI
Director Gareth Edwards considers the debates around AI, reflected in his film “The Creator:” “Should we embrace it or should we destroy it?”
Strange New Worlds: Evan Shapiro Expands His Search for the Media Universe
Evan Shapiro’s latest map of the media universe has a new look. (And if you think that the resemblance to old-school video games is coincidental, you’re fooling yourself.)
Data and Creativity Taste Great Together
Learn how data can drive the creative process with a conversation with Liz Huszarik, Brooke Karzen and Tricia Garret Melton
AI Amplified: Artificial Intelligence and Its Potential for Media & Entertainment
Interested in how artificial intelligence will impact technology, business, and creativity? (How can you not be?) Ride the wave into the future of media and entertainment, where curiosity meets innovation […]
NAB Amplify+ VIP Package
Add this package to your NAB Show New York registration and gain access to an exclusive community online and at the show.
Translating Anime to a Live-Action Adventure for “One Piece”
Editor Tessa Verfuss on the making of Netflix’s $144 million live-action adaptation of bestselling manga pirate adventure “One Piece.”
“The Woman in the Wall:” How Si Bell’s Cinematography Mirrors the Tone of the Story
“The Woman in the Wall” centers on a woman grappling with the trauma of time in a Magdalene laundry, complicated by the deaths of two people connected to her incarceration there.
How Do You Fairly Compare Cameras?
The HBO Camera Assessment Series is a feature-length movie that employs staged scenes to demonstrate the strengths—and weaknesses—of cameras.
“Original:” It’s a Dance Battle with the Sony BURANO
Director Unjoo Moon partnered with cinematographer Dion Beebe, ACS ASC to test the capabilities of the new Sony BURANO camera.
Family Dynamics: Cinematographer Paul Daley Gets Into It for “The Righteous Gemstones”
DP Paul Daley breaks down his visual approach to Season 3 of “The Righteous Gemstones,” HBO’s dark comedy series created by Danny McBride.
Street Scenes: Join Our Fujifilm Photowalks at NAB Show New York
Interested in exploring Hudson Yards with a camera, lighting, a model, and a guide? Sign up for the Fujifilm Photowalks at NAB Show New York.
Why Creative Pros Need to Know (More) About AI
If you’d like a preview of our AI Creative Summit, workflow specialist and conference program manager Gary Adcock is your guy.
AI Creative Summit: Your New Workflows, Our New Event
Aimed at empowering creatives, the AI Creative Summit will be held at NAB Show New York Oct. 24-25.
AI and the Future of the Creative Industries
Thrown into sharp relief by the Hollywood strikes, the debate over human creativity versus generative AI has become a battleground.
Should We Learn to Stop Worrying and Love AI? Ummm, So… Experts Say No.
AI experts have concerns about people’s and society’s well-being but also expect benefits in health care, scientific advances and education.
AI Scores in the Top Percentile of Creative Thinking (No, Seriously)
Blending novelty and utility, generative AI is closer to human creativity than you think, argues University of Montana professor Erik Guzik.
The Everyday Benefits of Automation for Post
Post-production consultant Jeff Greenberg reviews AI-assisted post-production tools to revolutionize your video and music editing process.
Traveling Jules Tells All: How to Perfect Personal Storytelling
“Telling your own story, that’s the best part,” content creator Juliana Broste says. “You are in control of what elements are included, what elements are not, and how you want them to feel.”
Strategies for Social Video Storytelling
Douglas Spotted Eagle shares best practices for creating effective video for social media marketing campaigns.
Whether You’re a Photographer or Cinematographer or Both, Here’s How to “Think Like a Filmmaker”
The transition from still photographer to cinematographer should be simple, right? That’s what Jeff Berlin thought.
Philip Grossman: Production in Impossible Places
Cinematographer/photographer Philip Grossman on how to reach, explore and capture imagery at some of the world’s most “impossible” places.
What Travel Can Teach You About Production
Mobile production makes you a better filmmaker. Rubidium Wu explains how.
Get It To Go: What to Pack for Production on a Glacier
Aidin Robbins and Eric Matt shot a documentary in the Alps and across glaciers. Learn how they managed both mountaineering and filmmaking.
Get It To Go: Making Content as a Mobile Creator
“The tools are literally telling you as a creator, ‘You now have more power in your hand, go do something with it.’”
Domenick Satterberg: Shooting Sports as Cinema
Sports cinematographer Domenick Satterberg charts the history of NFL Films and reveals the camera techniques he uses to capture the action.
Jennifer Lame’s Pace and Process for Editing “Oppenheimer”
“Oppenheimer” editor Jennifer Lame, ACE speaks with “The Rough Cut” host Matt Feury about working with writer-director Christopher Nolan.
Building the “Barbie” Dream Edit
The editing team on “Barbie” and writer-director Greta Gerwig talk about their process for combining humor, emotion and anarchy.
Content Production Amplified
Get information and inspiration for every kind of media you’re creating.
Crime Scenes: Editing “Only Murders in the Building”
“Only Murders in the Building” editor Shelly Westerman will join Bobbie O’Steen at NAB Show New York’s Insight Theater Oct. 25 at 3 p.m.
“Original:” It’s a Dance Battle with the Sony BURANO
Director Unjoo Moon partnered with cinematographer Dion Beebe, ACS ASC to test the capabilities of the new Sony BURANO camera.
Translating Anime to a Live-Action Adventure for “One Piece”
Editor Tessa Verfuss on the making of Netflix’s $144 million live-action adaptation of bestselling manga pirate adventure “One Piece.”
Street Scenes: Join Our Fujifilm Photowalks at NAB Show New York
Interested in exploring Hudson Yards with a camera, lighting, a model, and a guide? Sign up for the Fujifilm Photowalks at NAB Show New York.
How “The Creator” Creator Gareth Edwards Is Thinking About AI
Director Gareth Edwards considers the debates around AI, reflected in his film “The Creator:” “Should we embrace it or should we destroy it?”
How Do You Fairly Compare Cameras?
The HBO Camera Assessment Series is a feature-length movie that employs staged scenes to demonstrate the strengths—and weaknesses—of cameras.
The NAB Show New York Events You Can’t Miss
With so much to do at NAB Show New York, it can be overwhelming to make your plan, so the NAB Amplify team is sharing our can’t-miss list.
Where Fantasy Meets Reality: Producing the Mount Doom Sequence for ‟The Rings of Power”
‟The Rings of Power” production team wanted to accurately re-create natural phenomena for the series, including the implosion of Mount Doom.
Expand Your Business, Enhance Your Skillset at Post|Production Conference NYC
The PPC NYC programming is produced in partnership with FMC and comprises 24 sessions designed for production and post pros.
“The Woman in the Wall:” How Si Bell’s Cinematography Mirrors the Tone of the Story
“The Woman in the Wall” centers on a woman grappling with the trauma of time in a Magdalene laundry, complicated by the deaths of two people connected to her incarceration there.
Family Dynamics: Cinematographer Paul Daley Gets Into It for “The Righteous Gemstones”
DP Paul Daley breaks down his visual approach to Season 3 of “The Righteous Gemstones,” HBO’s dark comedy series created by Danny McBride.
How the Camerawork on ‟Painkiller” Gets to the Heart of the Series
Netflix’s “Painkiller” is not the first show to delve into the opioid crisis; it is likely not the last. Berg’s take relies on a strong cast and nimble crew.
Cine+Live Lab Returns to NAB Show New York
NAB Show New York attendees are encouraged to “explore the synergies between live broadcast and cinema” through Cine+Live Lab.
Domenick Satterberg: Shooting Sports as Cinema
Sports cinematographer Domenick Satterberg charts the history of NFL Films and reveals the camera techniques he uses to capture the action.
Traveling Jules Tells All: How to Perfect Personal Storytelling
“Telling your own story, that’s the best part,” content creator Juliana Broste says. “You are in control of what elements are included, what elements are not, and how you want them to feel.”
Philip Grossman: Production in Impossible Places
Cinematographer/photographer Philip Grossman on how to reach, explore and capture imagery at some of the world’s most “impossible” places.
Paul Dugdale: Shooting Cinematic Live Performances
Live concert director Paul Dugdale explains his approach to capturing live performances, including how he captures a performer’s energy.
Whether You’re a Photographer or Cinematographer or Both, Here’s How to “Think Like a Filmmaker”
The transition from still photographer to cinematographer should be simple, right? That’s what Jeff Berlin thought.
Scott Robert Lim: How to Be a Hybrid Shooter
Internationally recognized photographer Scott Robert Lim reveals the techniques and tools for using 4K and 8K video to capture key moments.
Get It To Go: The Gear You Need for Remote Production
Douglas Spotted Eagle shares his expertise on what equipment has proven the most useful for remote and on-the-go productions.
Demystifying the Color Pipeline
A very complex color pipeline has evolved in production and post, with many formats and deliverables along the way.
New “Ghostbusters” Short Tests the Limits of Real-Time Technologies
Directed by Jason Reitman, Sony’s new “Ghostbusters” short film is a proof-of-concept for real-time production and visual effects.
How Steven Soderbergh Brings It All Together for “Full Circle”
Director Steven Soderbergh discusses the production of and technologies used for Max’s limited series, “Full Circle.”
The “Telemarketers” Directors Started Out Making One Documentary… and Then It Went Sideways
If you think you know what you’re in for when you start to watch HBO’s docuseries “Telemarketers,” odds are you’ll only be half right. Maybe.
Jennifer Lame’s Pace and Process for Editing “Oppenheimer”
“Oppenheimer” editor Jennifer Lame, ACE speaks with “The Rough Cut” host Matt Feury about working with writer-director Christopher Nolan.
Editor Joanna Naugle Says “Yes, Chef!” to Chaos (and Collaboration) for “The Bear”
If FX’s The Bear reminds you of a Martin Scorsese film, you won’t be surprised editor Joanna Naugle is a devotee and used his movies as references for the show.
Building the “Barbie” Dream Edit
The editing team on “Barbie” and writer-director Greta Gerwig talk about their process for combining humor, emotion and anarchy.
“Sympathy for the Devil:” Nicolas Cage Makes Everything Better, Even LED Volumes
Much of the Nicolas Cage movie “Sympathy for the Devil” takes place inside a car, using scenes captured at the Vū virtual studio.
The Medium, the Movie, the Message: IMAX for “Oppenheimer”
To create what he considers a true cinematic experience, Christopher Nolan shot “Oppenheimer” in 65mm, 15-perf IMAX format.
The Cinematic Complexity of/for “Asteroid City”
DP Robert Yeoman faced harsh sunlight, windy exteriors, and the idiosyncratic vision of the director for Wes Anderson’s “Asteroid City”
How the Cinematography of “Succession” Took You Inside
Cinematographer Patrick Capone, ASC, director Mark Mylod and senior colorist Sam Daley consider what made the series look and feel like that.
Your Eyes vs. Frame Rates: What You Can (and Can’t) See
Frame rates have become a hotly contested issue, challenging the nearly century-old standard of 24fps for films or up to 60fps for TV.
Get It To Go: What to Pack for Production on a Glacier
Aidin Robbins and Eric Matt shot a documentary in the Alps and across glaciers. Learn how they managed both mountaineering and filmmaking.
Get It To Go: Making Content as a Mobile Creator
“The tools are literally telling you as a creator, ‘You now have more power in your hand, go do something with it.’”
What Travel Can Teach You About Production
Mobile production makes you a better filmmaker. Rubidium Wu explains how.