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Think Globally: SVOD Success Means More Content, Foreign Content and Automated Versioning

author
Adrian Pennington
Yoon Chan-young as Lee Cheong-san, Park Ji-hu as Nam On-jo in Netflix’s new Korean series “All of Us Are Dead” Cr. Yang Hae-sung/Netflix © 2021
Yoon Chan-young as Lee Cheong-san, Park Ji-hu as Nam On-jo in Netflix’s new Korean series “All of Us Are Dead” Cr. Yang Hae-sung/Netflix © 2021

READ MORE: Spherex M&E Predictions for 2022 (Spherex)

Today there are nearly 300 VOD and OTT platforms available to consumers across more than 200 countries and territories. That number is expected to increase to 600 platforms and two billion subscribers by 2025. How do you stand out amid all that competition?

“Content is king,” says Teresa Phillips, CEO and co-founder of data and technology company Spherex.


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How To Secure the Next Billion+ Subscribers


“Companies with existing or expanding content catalogs have a competitive advantage because they don’t have to buy or license content, but even those titles become stale over time,” she says.

“The result is the demand for new content will continue to increase as more consumers tire of existing catalogs, are unable to find something to watch, and reach the point of deciding which service is no longer worth the subscription price.”

“Companies with existing or expanding content catalogs have a competitive advantage because they don’t have to buy or license content, but even those titles become stale over time.”

— Teresa Phillips, Spherex

That leads to a prediction — which is surely already in action among most leading SVODs — that investment in original foreign-language content investment pays dividends.

The success of shows like South Korea drama Squid Game has platforms searching for possible successors. Netflix alone is investing half a billion dollars in Korean content in 2022. This year, Disney plans to launch service in South Korea, Taiwan, and Hong Kong and buy 50 Asian originals by 2023.


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How Does OTT Gain Global Reach?


Meanwhile Peacock has partnered with Telemundo to develop 50 Spanish-language projects and create a new streaming channel, and Amazon Prime Video announced it is expanding its content development in India, ordering shows in Hindi, Tamil, and Telugu languages.

Several of these will find the same level of success and audience acceptance as Squid Game, Parasite, and other foreign language titles, says Phillips.


CHARTING THE GLOBAL MARKETPLACE:

Big content spends, tapping emerging markets, and automated versioning: these are just a few of the strategies OTT companies are turning to in the fight for dominance in the global marketplace. Stay on top of the business trends and learn about the challenges streamers face with these hand-curated articles from the NAB Amplify archives:
  • How To Secure the Next Billion+ Subscribers
  • Building a Better SVOD Platform
  • How Does OTT Gain Global Reach? Here’s Where to Start.
  • Governments Draw Battlelines To Curb the US Domination of SVOD
  • Streaming Content: I Do Not Think You Know What That Word Means

As the number of titles being released continues to increase, directors, producers, and studios need to find a competitive advantage that allows them to reach markets faster, at reduced cost and with no regulatory risk.

“Beginning in 2022, adding AI and ML tools to existing manual processes can help content providers accomplish this important objective while reducing localization costs and improving the customer experience, and getting to revenue faster,” Phillips says.

READ MORE: Spherex M&E Predictions for 2022 (Spherex)

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