David Fincher’s go-to editor Kirk Baxter helps achieve a new kind of subjective cinema with Michael Fassbender’s character in “The Killer.”

Filmmakers Donal Boyd and Frank Nieuwenhuis sought to help people understand the impact of climate change on Iceland’s glaciers and on Icelanders.

The creator economy emerges as a powerful force in the digital marketing landscape, reshaping the way brands connect with consumers.

Continued growth will be driven by marketing through short-form videos on platforms like Instagram, TikTok, and YouTube.

Registration is open for NAB Show, April 13-17, 2024, with a focus on AI, streaming universes, virtual production, and the creator economy.

The White House’s directive to create “standards and best practices for detecting AI-generated content and authenticating official content” is important for creators and media companies to keep an eye on.

The latest travel film by Grafton Create utilized the Sony FX6, “the obvious choice” for the low-light imagery they wanted.

The Hunger Games are back with director Francis Lawrence and cinematographer Jo Willems, this time as a prequel.

Brands that “prioritize community and build authentic creator relationships” will benefit from influencer marketing, says Gavin Guidry.

Director Emerald Fennell’s film is part queasy satire, part gothic horror… and Linus Sandgren shoots it like a dream.

Calls for national regulation of AI is growing amid a looming Presidential election and fears that more deepfake videos will be unleashed.

Curtis used no-cut “oners,” swirling camera moves, a contrasted lighting pattern, and a large format sensor combined with portrait lenses.