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How the Blockchain Can Open Access to Filmmakers
TL;DR Could blockchain technology address current challenges by opening access to independent filmmakers and sharing reward more equitably? “The blockchain has the potential to revolutionize the entertainment industry,” says Leo […]
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Decentralized Pictures: Rethinking the Film Business Model, From Script to Screen
Decentralized Pictures founder and CEO Leo Matchett says the blockchain has the potential to revolutionize the entertainment industry.
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How Documentary Filmmakers Can Best Leverage AI
Documentary producer Megan Chao says the emergence of AI has evolved at an accelerated pace, but the long-term impacts have yet to be seen.
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Caleb Ward: The Possibility and Probability of AI Filmmaking, Part 1
TL;DR NAB Show “has had a very important role in my career,” says Curious Refuge CEO and cofounder Caleb Ward. Ward says he always looks forward to walking the show […]
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Caleb Ward: The Possibility and Probability of AI Filmmaking, Part 2
“It’s very important for people to be having conversations about the impacts of AI tools” on the industries and workers, says Caleb Ward.
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The Game-to-TV-and-Film Pipeline Is… Flowing
Hollywood is commissioning more video game adaptations than ever, but the video game industry isn’t necessarily flocking to Tinsel Town.
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Generative “Eno” Documentary Reshapes the Film for Every Viewing
“Eno,” about the career of famed musician and visual artist Brian Eno, is billed as the world’s first generative cinematic documentary.
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AI Video Generators: Is This the Year We’ll See Feature Films?
Led by Google Lumiere, a new wave of AI video generators coming to market bring long form-quality narrative video one step closer.
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“The Zone of Interest:” New Holocaust Film Powerfully Lays Bare the Mechanisms of Genocide
Writer and director Jonathan Glazer’s film “The Zone of Interest” uncovers the day-to-day banality of the horrors of the Holocaust.
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“The Zone of Interest:” Ways to Film the Unfilmable
Director Jonathan Glazer pursued an immersive naturalism in “The Zone of Interest” by removing the artifice and conventions of filmmaking.
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How “Napoleon” Editors Sam Restivo and Claire Simpson Conquered the Film’s Massive Amount of Multi-Camera Media
Editor Sam Restivo discusses the process of making Ridley Scott’s “Napoleon” alongside the director’s longtime editor Claire Simpson.
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“Napoleon:” Ignore the Griping Over Historical Details, Ridley Scott’s Film Is a Meditation On the Madness of Power
As meditation on the madness of power, a cultural studies professor argues that Ridley Scott’s “Napoleon” needn’t be historically accurate.