NAB Show Amplified: 5 Minutes with JVC Professional Video

JVC Professional Video

Amplify editor Emily M. Reigart interviews Edgar Shane about JVC…

Is Cloud Technology There Yet?

* Winner: 2021 BEIT Conference Best Paper Award * An…

Handling Event-based Frame Rate Conversion in OTT Streaming Services

Our customer is a global over-the-top sports subscription video streaming…

The Importance of Remote Access, Virtualization, and Hybrid Cloud for Live and Post Production

As virtualization and GPU technologies evolve, the Media & Entertainment…

First Live Production and Transmission of Immersive Audio on Commercial OTA Digital Television in Latin America

Since 2017 Globo has been testing and evaluating Immersive Audio…

Improving the Video Headend Infrastructure With DASH-IF’s CMAF Ingest

CMAF is increasingly popular for large-scale delivery to OTT (Over…

AI-powered Per-title Encoding

Video streaming content differs in terms of complexity and requires…

IPMX for Broadcast Installations

In September 2017, the first SMPTE ST 2110 standards for…

Designing LUTs for UHD Broadcasting Using Objective Color Metrics During the Tokyo Olympics

This paper will present the following: Describe ITP Perceptual Color…

Remote Collaboration and Color Grading in the Cloud

The NAB Show panel "Remote Collaborations – Color Grading in…

Practical AI Encoding with MediaKind

Today’s media landscape must serve a broader range of media…

Navigating the Multi-Cloud Universe for Production and Post

The NAB Show panel “Production & Post in the Multi-Cloud…

NAB Show Amplified: 5 Minutes with Veritone

Veritone, Inc.

Amplify editor Emily M. Reigart interviews Drew Hilles about Veritone's…

NABiQ Create Pitch from Cloud Nine

Hey, Sam! What Do I Need To Know About 5G?

Have you ever wondered if 5G is really all that…