Light Iron developed and deployed an all-cloud workflow for dailies, VFX pulls, conform and color on Mel Eslyn’s TV series, “Penelope.”

Strada co-founder and CEO Michael Cioni highlights the transformative potential of “utility AI” in automating mundane production tasks.

While assembling “Dune: Part 2,” editor Joe Walker, ACE referenced both James Bond movies and animated Road Runner cartoons by Chuck Jones.

VFX supes Jabbar Raisani and Marion Spates and Company 3 colorist Siggy Ferstl to discuss “Avatar: The Last Airbender” at NAB Show 2024.

Along with continued improvements to its enCaption solution, ENCO has added its first closed caption encoder, through a strategic acquisition.

“Once you hear the words spoken, you hear the rhythms, you start to get an idea in your head, and you can begin visualizing an episode.” 

Elena Piech, creative producer at ZeroSpace, shows how AI can allow you to “do more of the creative decision making.”

Surella CEO Mike Nichols compares broadcast and cinema workflows — how they differ (or the same) and how productions can benefit from each.

Aimed at empowering creatives, the AI Creative Summit will be held at NAB Show New York Oct. 24-25.

A new report examines the profound impact AI will have on film and TV production as its use increases.

“The Lord of the Rings: The Rings of Power” VFX Producer and modern filmmaking consultant Jesse Kobayashi will share insights from that production.

SMPTE Hollywood is hosting two cloud workflow discussions in the Connect Experiential Zone at NAB Show 2023.