BBC Sport has leveraged advances in XR and AR to construct its virtual sets for coverage of the 2024 UEFA EURO championship.

EP Gary Goetzman, DP Jac Fitzgerald, VFX Supervisor Stephen Rosenbaum, and more detail the making of Apple TV+ series “Masters of the Air.”

AWS showcases its cloud production technologies at NAB Show 2024 with a high-concept sci-fi movie trailer for “Cowgirls on the Moon.”

DP Callan Green on lensing Guy Ritchie’s action-comedy crime series, “The Gentlemen,” including how they captured that big boxing match.

French DP Laurent Barès discusses the lure of a London shoot and the challenges of bringing a complex narrative to the small screen.

SSAI has the ability to transform OTT advertising revenues and empower providers to compete on the digital stage.

Supersphere’s Lucas Wilson says video content is transitioning from 2D experiences on flat screens to immersive spatial experiences.

The HBO Camera Assessment Series is a feature-length movie design to demo cameras. NAB Show will screen the most recent assessment on April 15.

When Vision Pro was announced, brands began to experiment with visionOS-native apps. It’s early days, but none appear to revolutionize immersive content.

Along with continued improvements to its enCaption solution, ENCO has added its first closed caption encoder, through a strategic acquisition.

Here’s how director Steven Soderbergh shot the supernatural “Presence” entirely from the ghost’s perspective.

Director Todd Haynes uses stylized visuals to examine how little people understand about perception (and reality) in “May December.”