“Only Murders in the Building” editor Shelly Westerman will join Bobbie O’Steen at NAB Show New York’s Insight Theater Oct. 25 at 3 p.m.

“Oppenheimer” editor Jennifer Lame, ACE speaks with “The Rough Cut” host Matt Feury about working with writer-director Christopher Nolan.

Douglas Spotted Eagle shares best practices for creating effective video for social media marketing campaigns.

If FX’s The Bear reminds you of a Martin Scorsese film, you won’t be surprised editor Joanna Naugle is a devotee and used his movies as references for the show.

The editing team on “Barbie” and writer-director Greta Gerwig talk about their process for combining humor, emotion and anarchy.

SMPTE President Renard P. Jenkins says streaming media is no longer a platform, but is rather an environment.

NFL, NHL and ESPN executives discuss the transition to cloud technology for efficient, flexible live remote production at the 2023 NAB Show.

Director Chad Stahelski chose to work with editor Nathan Orloff on “John Wick 4” because he had no preconceptions about action films.

“Television and streaming video, they’re exponentially changing and evolving very, very quickly. But then they’re also colliding towards each other,” Tim Hanlon says, noting that these shifts are making “a lot of people uncomfortable.”

The Motion Picture Academy celebrates the talented editors behind the five films nominated for Best Film Editing at the 95th Oscars.

New per-post revenue analysis reveals the surprising state of creator earnings. Twitch is the most lucrative.

AI-generated art has advanced by leaps and bounds, but studios and audiences alike might not yet be ready for its Hollywood closeup.