Much of the success of “Baby Reindeer” can be credited to the deft editing required of Peter Oliver that changes tones throughout the series.

Finding the right tone for the film was tricky, says “The Fall Guy” editor Elísabet Ronaldsdóttir, because it was really two movies in one.

Video games are core to the entertainment habits and buying decisions of younger generations, a panel of experts agreed at the 2024 NAB Show.

Creator economy attorney Tyler Chou issues a warning about the legal landmines many TikTok, YouTube, LinkedIn and other creators face.

Phish transforms Sphere into a groundbreaking immersive experience, redefining live entertainment and setting new industry benchmarks.

As we have seen from the recent NAB Show, more and more vendors are offering cloud-based workflows. Here is primer to get you started.

NAB SVP of Emerging Tech John Clark sat down with Viaccess Orca CTO Alain Nochimowski to discuss how generative AI will change content personalization.

While assembling “Dune: Part 2,” editor Joe Walker, ACE referenced both James Bond movies and animated Road Runner cartoons by Chuck Jones.

Editors Mags Arnold, Brenna Rangott and Matt Chessé, ACE discuss the making of HBO’s hit anthology series, “True Detective: Night Country.”

Learn about the most recent AI-powered video generation tools designed to improve and speed business and marketing communications.

Editor Yorgos Mavropsaridis, ACE discusses his collaboration with director Yorgos Lanthimos on the multi-Oscar nominated “Poor Things.”

Keeping the audience guessing without tilting bias was key for “Anatomy of a Fall” director Justine Triet and editor Laurent Sénéchal.