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Crime Scenes: Editing “Only Murders in the Building”
“Only Murders in the Building” editor Shelly Westerman will join Bobbie O’Steen at NAB Show New York’s Insight Theater Oct. 25 at 3 p.m.
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Jennifer Lame’s Pace and Process for Editing “Oppenheimer”
“Oppenheimer” editor Jennifer Lame, ACE speaks with “The Rough Cut” host Matt Feury about working with writer-director Christopher Nolan.
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Strategies for Social Video Storytelling
Douglas Spotted Eagle shares best practices for creating effective video for social media marketing campaigns.
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Editor Joanna Naugle Says “Yes, Chef!” to Chaos (and Collaboration) for “The Bear”
If FX’s The Bear reminds you of a Martin Scorsese film, you won’t be surprised editor Joanna Naugle is a devotee and used his movies as references for the show.
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Building the “Barbie” Dream Edit
The editing team on “Barbie” and writer-director Greta Gerwig talk about their process for combining humor, emotion and anarchy.
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Renard Jenkins: What’s Now and Next for Streaming Video
SMPTE President Renard P. Jenkins says streaming media is no longer a platform, but is rather an environment.
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Headed to the Cloud: Virtual Live Remote Production and Video Distribution
NFL, NHL and ESPN executives discuss the transition to cloud technology for efficient, flexible live remote production at the 2023 NAB Show.
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When It’s All an Action Sequence: Editing “John Wick Chapter 4”
Director Chad Stahelski chose to work with editor Nathan Orloff on “John Wick 4” because he had no preconceptions about action films.
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Explore the Evolution of Video at NAB Show
“Television and streaming video, they’re exponentially changing and evolving very, very quickly. But then they’re also colliding towards each other,” Tim Hanlon says, noting that these shifts are making “a lot of people uncomfortable.”
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The Academy Spotlights This Year’s Oscar Nominees for Best Editing
The Motion Picture Academy celebrates the talented editors behind the five films nominated for Best Film Editing at the 95th Oscars.
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Jim Louderback: TikTok is the King of Social Video, Twitch Owns Monetization, and Roblox Rules Time Itself
New per-post revenue analysis reveals the surprising state of creator earnings. Twitch is the most lucrative.
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AI-Generated Video Is Happening. So What Does That Mean?
AI-generated art has advanced by leaps and bounds, but studios and audiences alike might not yet be ready for its Hollywood closeup.