NFL, NHL and ESPN executives discuss the transition to cloud technology for efficient, flexible live remote production at the 2023 NAB Show.

Director Chad Stahelski chose to work with editor Nathan Orloff on “John Wick 4” because he had no preconceptions about action films.

“Television and streaming video, they’re exponentially changing and evolving very, very quickly. But then they’re also colliding towards each other,” Tim Hanlon says, noting that these shifts are making “a lot of people uncomfortable.”

The Motion Picture Academy celebrates the talented editors behind the five films nominated for Best Film Editing at the 95th Oscars.

New per-post revenue analysis reveals the surprising state of creator earnings. Twitch is the most lucrative.

AI-generated art has advanced by leaps and bounds, but studios and audiences alike might not yet be ready for its Hollywood closeup.

“Andor” creator and showrunner Tony Gilroy and editor John Gilroy recount the complexities of bringing the Star Wars episodic to the screen.

Ericsson predicts 91% of the North American market will have adopted 5G by 2028, with video accounting for as much as 80% of mobile network traffic.

Automatic captioning, audio cleanup and text-to-image generators are just some of the AI/ML video tools available today, often for free.

Real-time game engines may have transformed virtual production, but the current challenge is to have those visuals fully ray-traced.

“Bullet Train” editor Elísabet Ronaldsdóttir, ACE draws on her experience cutting dance choreography films to help elevate action movies.

New research from Blackbird indicates that 90% of video professionals have adopted cloud production and remote editing in their workflows.