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AI Will Be the Most Impactful Technology in 2024, Say Global CTOs (and Pretty Much Everyone Else)
In 2024, AI applications and algorithms that can optimize data, perform complex tasks, and make decisions with human-like accuracy will be used in diverse ways, the study finds.
2023 NAB Show New York to Feature 55 New Exhibitors and Many, Many New Products and Services
NAB Show New York will feature 55 first-time exhibitors on the show floor and will showcase a number of new products and services.
NAB Show Names 2023 Product of the Year Award Winners
NAB Show named the winners of its fifth annual Product of the Year Awards April 18 at the 2023 NAB Show in Las Vegas.
Artificial Intelligence Makes Itself Seen (and Heard) in Radio
Futuristic capabilities of this disruptive technology raise expectations and job fears
Connectivity and Transmission: 5G Creates Opportunities for Broadcasters and Producers
The 2023 NAB Show to spotlight the impact of 5G today and in the future, with a focus on new opportunities for broadcasters and producers.
The M&E Industry From Around the World Gathers in Vegas
Global M&E industry converges in Vegas for NAB Show 2023, where international attendees and exhibitors benefit from key advantages.
Why Big Tech Wants to Control You Within the Metaverse
Are neuroscience-inspired algorithms that combine spatial memory and dopamine reward prediction the future of social media?
NextGen TV: Using the Lighthouse Model to Make the Transition to ATSC 3.0
Skip Pizzi, a key developer of the ATSC 3.0 digital TV standard, describes the ongoing transition to NextGen TV using the lighthouse model.
What’s the Future of Broadcast TV? FCC Commissioner Starks Places a Bet on ATSC 3.0
In case you were wondering/worried, broadcast TV has a future. FCC Commissioner Geoffrey is betting that future relies on ATSC 3.0.
5G Technology Goes Way Beyond Better Cellphone Service
Learn how “5th-gen” wireless tech pairs with broadcasting.
Firing Up the Feature-Length, Single-Take “Boiling Point”
DP Matthew Lewis shot director Philip Barantini’s 90-minute feature on the Sony VENICE in only four takes over the course of two nights.
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