Experts analyze LED panels for virtual production, highlighting the importance of color accuracy, contrast, and on-camera integration.

Wimbledon Broadcast Services shared more of the 2024 Championships action in HDR this year, captured and managed by NEP.

BBC Sport has leveraged advances in XR and AR to construct its virtual sets for coverage of the 2024 UEFA EURO championship.

ETC@USC’s latest proof-of-concept film, “Europa,” explores the application of metadata and remote collaboration in on-set virtual production.

Post tool vendors believe AI will be most effective at speeding up some of the more tedious and time-consuming aspects of content creation.

VŪ’s Megan Hill breaks down the virtual production options for a range of clients, projects, sectors, and budgets.

Once confined to the realms of Star Trek, the holodeck is edging closer to reality, according to OTOY founder and CEO Jules Urbach.

Light Iron developed and deployed an all-cloud workflow for dailies, VFX pulls, conform and color on Mel Eslyn’s TV series, “Penelope.”

Director Steven Zaillian and DP Robert Elswit discuss the meticulous black-and-white visuals for Netflix psychological thriller “Ripley.”

Programming Everywhere curator Michael Depp on the convergence of traditional broadcasting with the world of social media at NAB Show 2024.

NAB EVP/CTO Sam Matheny discussed the importance of consistent measurement practices with Nielsen’s Paul LeFort.

Leading AI and computer-vision researcher Dr. Hao Li will dive into the cutting-edge world of generative AI during his keynote presentation at the opening session of the 2024 NAB BEIT Conference