TL;DR Could blockchain technology address current challenges by opening access to independent filmmakers and sharing reward more equitably? “The blockchain has the potential to revolutionize the entertainment industry,” says Leo Matchett, co-founder and CEO of Decentralized Pictures. “It can help create a more transparent and equitable industry, and it can also connect fans with their […]

Documentary producer Megan Chao says the emergence of AI has evolved at an accelerated pace, but the long-term impacts have yet to be seen.

This year’s NAB Show New York is full of content and hands-on learning opportunities, on and off the show floor. We curated a few ideas for filmmakers.

While AI won’t likely replace many jobs in the foreseeable future, it’s going to increasingly become a part of the M&E industry’s workflows.

What are the top concerns, questions and viewpoints surrounding the recent surge of available AI generative technologies?

NBCU reaches out to a younger audience with its unprecedented multi-platform social creator program at the Paris 2024 Olympic Games.

A new report surveys the current state of generative AI in Media & Entertainment, finding overwhelming interest or active use in process.

Much of the success of “Baby Reindeer” can be credited to the deft editing required of Peter Oliver that changes tones throughout the series.

Cinematographer Armando Salas, ASC describes how he built the look of Netflix series “Griselda” from Polaroids and classical painting.

“Baby Reindeer” combined the visions of its creator, directors, cinematographers, editor, and colorist for a remarkable result.

Game consultant Tom van der Linden explains how video game adaptations require a deep understanding of the unique experience of gameplay.

ETC@USC’s latest proof-of-concept film, “Europa,” explores the application of metadata and remote collaboration in on-set virtual production.