ESL Gaming’s Simon Eicher, BLAST’s Nicolas Estrup and Faceit’s Andrew Lane on cloud-based workflows, virtualization and remote production.

Esports events have seen a colossal boom, with live audiences attending sports and event arenas around the world in the last few years.

Radoff explains his vision for putting creative power in the hands of everyone, not a handful of centralized gatekeepers.

Twitch turmoil, Baby Gronk, Shorts improvements, what Apple’s new headset means for creators, and much more!

New insights on audience satisfaction and content optimization from YouTube’s internal algorithm czar plus copyright challenges.

This week we cover the devaluation of YouTube subs and views, Epic Games’ launch of “Creator Economy 2.0” for Fortnite, and TikTok’s CEO.

Singular.Live’s Mike Ward discusses how smart graphics, or “Intelligent Overlays,” are helping to drive the future of live production.

New per-post revenue analysis reveals the surprising state of creator earnings. Twitch is the most lucrative.

As the streaming business model morphs from pure SVOD into premium and ad-supported options, performance metrics also have to change.

Dan Holland describes IHSEusa’s plans for the 2022 NAB Show New York.

Streamers who use digital avatars, known as vTubers, are part of a growing creative community primed to take the internet by storm.

The North American market for 5G technologies is set to exceed $180 billion by 2030, while 6G undergoes scrutiny by standardization groups.