Hollywood stars can have their digital likenesses copyrighted and managed by talent agencies, but we should all control our own digital IDs.

While AI won’t likely replace many jobs in the foreseeable future, it’s going to increasingly become a part of the M&E industry’s workflows.

Digital Domain’s chief technology officer Hanno Basse discusses how the development of digital humans is transforming film & TV production.

Epic Games industry manager Miles Perkins discusses how real-time graphics are revolutionizing production for film and television.

Seeking to create a new form of immersive global filmmaking, filmmaker Joe Hunting shot his documentary feature inside Social VR.

Disrupting the traditional gatekeepers of the Hollywood studio system, 2022 could be Hollywood’s Year of the DAO.

Unity has its eye on the metaverse, anticipating a huge demand for content creators to build assets to populate the 3D internet.

The durability of film over digital formats is shown with the discovery of four 35mm film reels from a beloved Soviet-era comedy.

Of course security needs to be secure. But what if security could also enable amazing innovations and new business models to happen?

DP Maz Makhani uses the ARRI Alexa LF and large format Hawk 65 Anamorphic lenses for his latest collaboration with director Antoine Fuqua.

Bucking the trend from previous generations, Gen Z seeks customizable and consistent digital identities across all online platforms.

Cinematographer Olivier Boonjing employs two Panasonic LUMIX S1H cameras for Julie Lecoustre and Emmanuel Marre’s “Zero F**ks Given.”