438 Results for digital film
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Digital Humans: How Hollywood Is Readying for Replicants
Executives from Soul Machines and Wild Capture debate the case for photoreal, full-body synthetic humans
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Digital Humans Are Alive in the Online World (and Multiplying Faster Than You Think)
Digital humans are about to radically transform communication, and could help humanize virtual interactions and online communities.
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How the Blockchain Can Open Access to Filmmakers
TL;DR Could blockchain technology address current challenges by opening access to independent filmmakers and sharing reward more equitably? “The blockchain has the potential to revolutionize the entertainment industry,” says Leo […]
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Decentralized Pictures: Rethinking the Film Business Model, From Script to Screen
Decentralized Pictures founder and CEO Leo Matchett says the blockchain has the potential to revolutionize the entertainment industry.
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Caleb Ward: The Possibility and Probability of AI Filmmaking, Part 2
“It’s very important for people to be having conversations about the impacts of AI tools” on the industries and workers, says Caleb Ward.
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Generative “Eno” Documentary Reshapes the Film for Every Viewing
“Eno,” about the career of famed musician and visual artist Brian Eno, is billed as the world’s first generative cinematic documentary.
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“The Boy and the Heron:” Studio Ghibli Storytelling Goes in a New (Digital) Direction
The film balances the darkness of change and war (always implied, never seen) with a fantastical world of vibrant creatures and characters.
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How “Napoleon” Editors Sam Restivo and Claire Simpson Conquered the Film’s Massive Amount of Multi-Camera Media
Editor Sam Restivo discusses the process of making Ridley Scott’s “Napoleon” alongside the director’s longtime editor Claire Simpson.
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Taylor’s Version: How the “Eras Tour” Concert Film Could Change Cinema
Through “The Eras Tour,” Taylor Swift is “passing a $100M screen test,” according to Variety, and other critics agree the concert film is worth a watch.
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“The Creator:” Making a Sci-Fi Epic Like an Independent Film
Gareth Edwards’ film was shot on a relatively small budget of $80 million, yet looks like a blockbuster that cost significantly more.
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How Everyone (Not Just Tom Hanks) Can Maintain Control of Their Digital IDs
Hollywood stars can have their digital likenesses copyrighted and managed by talent agencies, but we should all control our own digital IDs.
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Yves Bergquist: No, AI Can’t Create a Film — But Here’s How Filmmakers Can Create With AI
While AI won’t likely replace many jobs in the foreseeable future, it’s going to increasingly become a part of the M&E industry’s workflows.