A number of significant new camera releases at the 2024 NAB Show demonstrate how technology innovation is fast and furious.

Alex Garland’s “Civil War” is less interested in assigning blame to the right or left than in asking why we might end up there again.

LaLiga and Mediapro have incorporated a new pitch-side camera into their broadcasts, providing viewers with an image quality similar to that of a film or a video game

Showrunner Soo Hugh’s adaptation of Min Jin Lee’s “Pachinko” for Apple TV+ masterfully weaves the intricate tapestry of a Korean family.

ESPN networks and ABC are presenting all 51 matches and 140 combined hours of live coverage of the delayed UEFA European Football Championship 2020, June 11 through July 11. Throughout the month-long Euro 2020 tournament, ESPN+ is also offering a dynamic second-screen experience, daily studio programming and simulcasts of the semifinals and final matches. Coverage […]

Hosted by The Netherlands, ESC 2021 was the largest in-person entertainment event to take place in Europe since the start of the pandemic.

Luca Guadagnino differentiated “Challengers” from other tennis movies through a “kinetic experience” rather than “televisual stillness.”

ETC@USC’s latest proof-of-concept film, “Europa,” explores the application of metadata and remote collaboration in on-set virtual production.

Wim Wenders’ “Perfect Days” is a film that is neither quite documentary nor quite fiction but a truthful encapsulation of his subject.

The work of a DP begins and ends with guiding a director’s vision to screen, but the path is rarely clear, says Roberto Schaefer, ASC, AIC.

“One phrase we had was that horror can be beautiful,” says cinematographer Aaron Morton. “We tried to make a beautiful film that was scary.”

In ‟El Conde,” Chilean director Pablo Larraín turns the story of General Augusto Pinochet into a stomach-turning tragicomic melodrama-horror movie.