Hollywood stars can have their digital likenesses copyrighted and managed by talent agencies, but we should all control our own digital IDs.

Documentary filmmaker Laura Poitras’ “All the Beauty and the Bloodshed” shows how Nan Goldin’s life and work intersect with her activism.

Writer-producer-director Todd Field’s first film in 16 years, “Tár” explores the cult of personality, power imbalances and cancel culture.

“The Territory” follows the Indigenous Amazon community the Uru-eu-wau-wau as they protect their land from aggressive deforestation efforts.

HBO’s “Succession” takes cues from Dogme95, cinema verité, and other styles that use documentary techniques to create fictional stories.

Targeting the live production market, Blackmagic Design’s re-engineered Studio 4K cameras have the same features as large studio cameras.

With broadcasters embracing mirrorless and cine-style cameras, the new Sony HDC-F5500 brings a cinematic look to live productions.

An HPA Tech Retreat Supersession shows the work still needed for end-to-end cloud production

“For me it’s all about the connection between the camera and the performance,” says cinematographer Árni Filippus.

Ci: A Platform Where Teams Can Work on Media Content Sony built the Ci Media Cloud platform to help customers unify and streamline siloed media workflows. Ci (“see”) empowers teams […]

“Once we stop looking at moving current production technologies and workflows to the cloud and instead ask how we reinvent live production it totally transforms how we cover events.”

As yachts from Italy and the holders, New Zealand, compete for the 36th America’s Cup, it is very much a high-tech event, with a broadcast infrastructure to reflect that.