Alex Garland’s “Civil War” is less interested in assigning blame to the right or left than in asking why we might end up there again.

Filmmaker and host Juliana “Traveling Jules” Broste offers tips for creating an effective and practical studio while traveling.

Aidin Robbins and Eric Matt shot a documentary in the Alps and across glaciers. Learn how they managed both mountaineering and filmmaking.

The benefits of remote production to news and sports include reduced equipment, personnel requirements.

FTI’s 2023 Tech Trends report says entertainment has reached a tipping point, with new technologies enabling novel forms of expression.

It took more than a decade for the hybrid stop-motion/live-action “Marcel the Shell” to move from his DIY origins to a full-length feature.

Cinematographer Olivier Boonjing employs two Panasonic LUMIX S1H cameras for Julie Lecoustre and Emmanuel Marre’s “Zero F**ks Given.”

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Matthew Ball’s “The Metaverse Primer” outlines the state of knowledge about the Metaverse around topics like hardware, content and behavior.

NFTs make sense for Hollywood. IP is king, and some posit the difficult-to-dupe nature of these tokens may solve ownership quandaries for makers and consumers.

If IP remote/distributed/decentralized production was a no-brainer, why did it require a global pandemic to see its widespread adoption?