17 Results for audio codec
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Where Are We With Audio Asset Management?
A new report from media asset management system Iconik shows that audio assets are a major driver of the growing demand for cloud storage.
MPEG is in Decline with No Clear Codec Successor
Once the clear successor to the now-dominant AVC H.264 codec, the HEVC codec has become mired in intellectual property and royalty claims.
NAB Show Names 2023 Product of the Year Award Winners
NAB Show named the winners of its fifth annual Product of the Year Awards April 18 at the 2023 NAB Show in Las Vegas.
The AI-Based Future for Video Compression
AI is considered an essential new tool in the progress towards future video compression technologies, but the next few years will be dominated by the transition to existing standards including AV1 and VVC.
Watch This: Reworking the Workflows for Live Streaming
Instead of chasing low latency, Disney+ tweaks its live stream bitrates by service, sport, and whether the content is live or on-demand.
Where Are We With AI and ML in M&E?
In 2021 media companies demonstrated solid examples of how machine learning and AI can deliver reduced costs and faster workflows.
What’s Going Awesome (and Less-Than-Awesome) With Today’s Streaming Technologies
Bitmovin’s Stefan Lederer discusses the current state of the streaming industry at IABM’s BaM Live! Evolving Media Economics forum.
Celebrate the Winners of the 2021 NAB Show Product of the Year Awards
Click on the image above to play the video. The awards honor breakthrough products from the 2021 NAB Show. The winners of the third annual NAB Show Product of the Year […]
Inside AJA’s Data Analytics Solution, the Diskover Media Edition
AJA Diskover Media Edition allows users to search, find and analyze media asset data across on-premises, remote, and cloud storage.
The Tech That’ll Take Streaming Into the Future
Bitmovin co-founder and CEO Stefan Lederer names the back-end technologies driving recent improvements in content delivery.
The Fearless Future of Live Sports Production
There’s nothing to fear in moving beyond “the old way.” The technology is here today for a successful reinvention of live sports production.
Because Weird is Wonderful: Making “Annette”
Cinematographer Caroline Champetier employs the Sony VENICE camera and Zeiss Supreme Prime lenses for her latest collaboration with Carax.
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