Culture risks being overrun by AI-generated images that merely repeat the past over and over, destroying our capacity as humans to connect.

“Refik Anadol: Unsupervised” uses an AI model trained on 180,000 artworks from MoMA’s collection to produce a stream of digital images.

A CambrianAI analyst argues that paid AI image generation services will become ubiquitous, giving creatives an unpleasant choice to face.

Big Tech’s resources vastly exceed those of traditional media, Luma Partners contends, resulting in an almost unbeatable advantage with AI.

A new study on the role of AI in media offers an unprecedented look into how audiences perceive and interact with AI-driven content.

TL;DR NAB Show “has had a very important role in my career,” says Curious Refuge CEO and cofounder Caleb Ward.  Ward says he always looks forward to walking the show floor and “having conversations with people that work for all of these incredible brands” because the folks in “the booths are really knowledgeable, and they […]

“It’s very important for people to be having conversations about the impacts of AI tools” on the industries and workers, says Caleb Ward. 

OpenAI executive Peter Deng explores the role of humans in the age of artificial intelligence in a provocative talk at SXSW.

NAB Show and FMC introduce digital and in-person AI training workshops and certifications, tailored for the M&E community. 

Sarah Sze shares her perspective on the intersection of generative AI and the fine arts, as well as how we should think about AI as creators.

Director Emerald Fennell’s film is part queasy satire, part gothic horror… and Linus Sandgren shoots it like a dream.

Many creatives have been struggling over generative AI. Dave McKean went one step further: He wrote a book as he processed how this would change his work and our society.