4K High Dynamic Range (HDR) has affirmed itself as a core part of the broadcast landscape, writes MediaKind’s Carl Furgusson.

Amid growing market penetration, colorist and Frame.io product marketing manager Jason Druss examines affordable HDR display options.

Most channels in Europe and the US are still broadcast in SD and HD formats, but UHD offers clear business benefits for broadcasters now.

The 2022 Glastonbury Festival played host to more than 80 live acts performing for 200,000 attendees, and millions more at home.

Video developer tool specialist Bitmovin recommends a multi-codec approach for streaming services balancing bitrates and budget.

A new study predicts study 5G networks will become commonplace within the next five years, delivering gigabit speeds and ultra-low latency.

Few consumers own 8K sets but producers are already successfully using 8K technologies to improve TV, film, event and sport production

Haivision’s 2022 Broadcast IP Transformation Report finds that 5G will have the biggest impact on broadcasting within the next five years.

Director Joel Coen and DP Bruno Delbonnel blend theater and cinema for their Denzel Washington-starring adaptation of the Shakespeare play.

Amsterdam’s Rijksmuseum has a digital copy of Rembrandt’s “The Night Watch,” which it says is “the largest and most detailed photograph of any artwork.”

New report from the 8K Association finds that multiple encoders and decoders capable of 8K live are available as commercial products.

NAB Show and the ASC partner with the newly-formed Cine Consortium on educational workshop series taught by prominent cinematographers.