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The Future of Production Amplified: How Real-Time Graphics Are Changing the Face of Film and Television Production
Epic Games industry manager Miles Perkins discusses how real-time graphics are revolutionizing production for film and television.
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What ATSC 3.0 Television Means for Marketers
ATSC 3.0 allows marketers to work closely with ISPs to provide highly targeted and seamless interactive overlay ads during OTA broadcasts.
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AI at the 2024 Paris Games: Transforming the Olympics Broadcast
Led by the IOC’s Olympic AI Agenda, the 2024 Paris Games will usher in an AI-powered revolution in broadcasting and fan engagement.
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From Pitch to Post-production: BBC Sport’s Remote Workflow for the Euros
Remote production not only streamlined the BBC’s Euro 2024 coverage, but also brought environmental and cost-efficiency benefits.
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How an SA 5G Network Is Connecting the Paris Olympics Broadcasts
Gaining traction as a way to bolster sporting broadcasts, private or standalone 5G technology is in the spotlight at the 2024 summer games.
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How to Rethink and Redefine the Sports Broadcast (Hints: Real-Time Data and Personalization)
By embracing digital transformation and leveraging AI and data analytics, broadcasters can stay ahead of the curve.
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Rethink Research: It’s the End of M&E As We Know It
We all acknowledge that media and entertainment is in a period of excessive disruption, but Rethink Research has a more foreboding forecast.
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Paris 2024 Olympic Flame Relay Ignites an Innovative Production Workflow
Broadcasting the 2024 Summer Games Torch Relay set a new standard in the use of a private 5G network for sustained live streaming at scale.
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This Is Not a Test: How OBS Prepped Its Tech for Paris 2024 (Practice, Practice, Practice)
Virtual production, AI and digital outreach are some of the new and expanded innovations delivering coverage of the Paris Olympic Games.
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Creators May Want to Expand to Traditional Media, But (Understandably) Have, Ahem, Control Issues
Despite craving breakout success, creators are thriving outside of broadcast TV and are reluctant to partner without creative control.
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Escalating Tension and Trusting Your Team: Peter Oliver Recounts the Edit for “Baby Reindeer”
Much of the success of “Baby Reindeer” can be credited to the deft editing required of Peter Oliver that changes tones throughout the series.
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Believable Worldbuilding: The Visual Spectacle of FX’s “Shōgun”
Cinematographer Christopher Ross, BSC opted for the Sony VENICE paired with Hawk class-X anamorphic lenses to capture the world of “Shōgun.”