Global hits like “Money Heist” and “Squid Game” sent demand for non-English language content to record highs, according to Parrot Analytics.

How do you produce a traditional Emmy Award ceremony when no one can attend the event in a concert hall?

In its report following CES 2023, Parks Associates finds that Smart TVs now represent the most important point in the connected home.

“The Last Jedi” and “Glass Onion” director Rian Johnson on his new Peacock “howcatchem” series, “Poker Face,” starring Natasha Lyonne.

Hollywood is bringing class warfare out into the open with the release of films like “Glass Onion,” “The Menu,” and “Triangle of Sadness.”

As the FAST space explodes, a new report projects that by 2025 ad spend on FASTs will surpass that of cable, broadcast or SVOD services.

Analysts predict that streaming will become more expensive and more frequently interrupted by ads as studios look to balance their budgets.

FAST channels are a win-win situation for content owners, publishers and end-users, but ad insertion remains one of the biggest challenges.

Peacock docuseries “Paul T. Goldman” from director Jason Woliner straddles an uneasy line between real life, true crime and satire.

In director Nicolas Winding Refn’s acid western neon-noir “Copenhagen Cowboy,” the superheroes are ultra-stylish, neon-saturated and female.

“Andor” creator and showrunner Tony Gilroy and editor John Gilroy recount the complexities of bringing the Star Wars episodic to the screen.

High-profile series and feature film cancellations signal of a reorientation of the content model by premium streamers.