FCC Chairwoman Jessica Rosenworcel said the commission will work with NAB on ways to complete the change to ATSC 3.0.

Television broadcasters yet to put NextGen TV on the air can prepare by taking advantage of the numerous ATSC 3.0 happenings at NAB Show.

A new report from media asset management system Iconik shows that audio assets are a major driver of the growing demand for cloud storage.

Across M&E, executives report that their teams are continuing to “shore up” remote workflows to better prepare for whatever lies ahead.

Hollywood is bringing class warfare out into the open with the release of films like “Glass Onion,” “The Menu,” and “Triangle of Sadness.”

Cinematographer Zach Kuperstein and colorist Sam Daley on production and post for sleeper horror hit “Barbarian” from writer-director Zach Cregger.

The FAST ecosystem can be confusing but a new report demystifies the current trends, including the ongoing battle over the interface.

Cloud-based production has emerged as a technology and service combination whose time has come, and its role will only grow larger.

PwC‘s new 2022-2026 Global Entertainment & Media Outlook predicts OTT video revenue in the US will reach $40.4 billion by the end of 2026.

TikTok is now a direct competitor for video viewers to everyone from broadcast TV and cable services to Netflix and studio streamers.

“Don’t touch that dial!” probably hasn’t been heard from a television set in a few decades. It’s a cultural relic of the 1950s and 1960s TV world. It has been […]

Despite a number of recent eye-popping productions, film critic Emily VanDerWerff decries Hollywood’s penchant for using desaturated color.