A Triple-layer Strategy for Ensuring High-Quality ATSC 3.0 Service

As the broadcast industry moves to adopt ATSC 3.0, new…

NAB Show Amplified: 5 Minutes with Futuri

Futuri Media

Amplify editor Emily M. Reigart interviews Daniel Anstandig about Futuri’s…

NAB Show Amplified: Fincons Group and Sinclair Broadcast

Fincons Group

Amplify editor Emily M. Reigart interviews Oliver Botti about Fincons…

NAB Show Amplified: 5 Minutes with castLabs

castLabs Inc.

Amplify editor Emily M. Reigart interviews Thasso Griebel about castLabs’…

NAB Show Amplified: From the Desk of IHSE USA

IHSEusa, LLC

Dan Holland, who serves as marketing manager at IHSE USA,…

NAB Show Amplified: 5 Minutes with Cognizant

Cognizant Technology Solutions U.S. Corporation

Amplify editor Emily M. Reigart interviews Laurie Hutto-Hill about Cognizant’s…

NAB Show Amplified: 5 Minutes with Veritone

Veritone, Inc.

Amplify editor Emily M. Reigart interviews Drew Hilles about Veritone's…

NAB Show Amplified: 5 Minutes with BeBanjo

BeBanjo

Amplify editor Emily M. Reigart interviews François Chabat about BeBanjo's…

History of Drones and Drones in Broadcast

Drones have started to revolutionize the way all industries looks…

8K JPEG XS Codec adapted to SMPTE ST 2110

NHK developed an 8K interface device using JPEG XS corresponding…

Benefits and Limitations of the Updated FCC DTS / SFN Licensing Rules

In January, 2021, the U.S. Federal Communications Commission adopted modifications…

Software Encoder Creates Forward Momentum for the Industry, Part II

As discussed in last year’s paper, broadcast equipment manufacturers have…

Handling Event-based Frame Rate Conversion in OTT Streaming Services

Our customer is a global over-the-top sports subscription video streaming…

Live Video Transport on the Cloud with JPEG XS and CDI

Media companies are used to high quality, low latency IP…

NAB Show Amplified: 5 Minutes with Kyndryl

Amplify editor Emily M. Reigart interviews Jeff Becraft about Kyndryl’s…