135 Results for Remote Software
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Get It To Go: The Gear You Need for Remote Production
Douglas Spotted Eagle shares his expertise on what equipment has proven the most useful for remote and on-the-go productions.
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Headed to the Cloud: Virtual Live Remote Production and Video Distribution
NFL, NHL and ESPN executives discuss the transition to cloud technology for efficient, flexible live remote production at the 2023 NAB Show.
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The First Wave of AI Software for Production and Post
We’re seeing workflows and products shaped by the potential of neural networks, while creatives are starting to take advantage of AI tools.
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A Remote Production Primer
IP-enabled workflows for remote video production will allow broadcasters to cut costs and innovate new ways to create and consume content.
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REMI Rewind: Charting How Remote Production Moved to the Cloud
New white paper from Matrox outlines how remote operations can streamline production costs using the cloud and IP-based networks.
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Making Sure the Remote Over IP Broadcast Is Cyber-Secure
Live production vendor EVS outlines the pathway to ensuring cyber security in live production workflows.
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How Are Video Professionals Responding to Remote Workflows? Here’s a Report.
As working-from-home become the new norm, video production teams across countless industries have had to adopt new approaches.
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IP and Remote Production Top Broadcast Agendas
Haivision’s new Broadcast IP Transformation Report shows that tight budgets are hampering some plans to migrate to IP and cloud technology.
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Research IDs the Five Key Models of Live Remote Production
The UK’s Digital Production Partnership published its first “Going Live & Remote” report, defining five models for producing live content.
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Reimagining Software-Defined Workflows | Source: SMPTE
A new white paper from MovieLabs establishes new guidelines for software-defined workflows for more efficient Cloud-based production.
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Reviewing the Workflow: World-First Remote Approach for Nordic World Ski 2021
“I think the most difficult question of these times is, how can we achieve a production quality we want to give to our rights holders and how can we manage not to have COVID impact the quality we deliver?”
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How “Love Island USA” Pivoted to 24/7 Remote Production During the Pandemic
“The team was really spread around the world,” explains Bexel/NEP’s Rod Allen. Shooting took place in Las Vegas, while “our loggers were in Australia, [the post] team was in Los Angeles and Las Vegas, our technical consultant was in the Philippines and management was in the UK.”