Mobile production makes you a better filmmaker. Rubidium Wu explains how.

If FX’s The Bear reminds you of a Martin Scorsese film, you won’t be surprised editor Joanna Naugle is a devotee and used his movies as references for the show.

The Remote Production Conference is a free full-day online conference highlighting the tools and technologies enabling remote production.

We’re seeing workflows and products shaped by the potential of neural networks, while creatives are starting to take advantage of AI tools.

Producer Ron Ames on the cloud-based workflow for the first season of Amazon Prime Video’s “The Lord of the Rings: The Rings of Power.”

The 2023 NAB Show will host a conversation with the creative team behind short film “The Boy, the Mole, the Fox, and the Horse.”

Across M&E, executives report that their teams are continuing to “shore up” remote workflows to better prepare for whatever lies ahead.

ETC@USC’s Erik Weaver discusses the making of “Fathead,” a new proof-of-concept for virtual production and cloud-based workflows.

Remote workflows are increasingly being adopted for film and TV production but still present challenges to the post-production process.

A new report from Altman Solon finds virtual production is on the rise, but costs and finding experienced talent remain industry challenges.

Containing nearly 10,000 VFX shots, post-production on the first season of “The Lord of the Rings: The Rings of Power” was enabled by AWS.

Ci: A Platform Where Teams Can Work on Media Content Sony built the Ci Media Cloud platform to help customers unify and streamline siloed media workflows. Ci (“see”) empowers teams […]