Across M&E, executives report that their teams are continuing to “shore up” remote workflows to better prepare for whatever lies ahead.

ETC@USC’s Erik Weaver discusses the making of “Fathead,” a new proof-of-concept for virtual production and cloud-based workflows.

Remote workflows are increasingly being adopted for film and TV production but still present challenges to the post-production process.

A new report from Altman Solon finds virtual production is on the rise, but costs and finding experienced talent remain industry challenges.

Containing nearly 10,000 VFX shots, post-production on the first season of “The Lord of the Rings: The Rings of Power” was enabled by AWS.

Ci: A Platform Where Teams Can Work on Media Content Sony built the Ci Media Cloud platform to help customers unify and streamline siloed media workflows. Ci (“see”) empowers teams […]

What is a pop-up production? When did the M&E industry start using the term and the techniques it represents, and why? NAB CTO and EVP Sam Matheny and Marco Rota, […]

Flexibility, cost-efficiency and work-life balance are among benefits.

To avoid sound stage bottlenecks, film and TV productions are increasingly opting to employ virtual production techniques and technologies.

Director of photography Matt Gray, BSC shoots the riveting BBC series in 4K HDR using a pair of ARRI Alexa LF cameras.

With hybrid storage environments gaining traction, Media Asset Management (MAM) workflows will have to straddle public and private clouds.

Autodesk teams with the Academy Software Foundation to integrate open standards into its products such as USD support in Maya and 3ds Max.