147 Results for Remote Control
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Life Advice for Working Remotely with Large Media Assets
Across M&E, executives report that their teams are continuing to “shore up” remote workflows to better prepare for whatever lies ahead.
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CES 2023: Controlling the Connected Home and Media Delivery/Distribution
In its report following CES 2023, Parks Associates finds that Smart TVs now represent the most important point in the connected home.
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Is Remote Production Here to Stay?
Flexibility, cost-efficiency and work-life balance are among benefits.
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Making Sure the Remote Over IP Broadcast Is Cyber-Secure
Live production vendor EVS outlines the pathway to ensuring cyber security in live production workflows.
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Realizations on Virtualization: Broadcasters Are Rethinking Remote and Cloud Workflows
A trio of US broadcast station groups discuss the implications of cloud-based workflows accelerated by COVID-19.
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AVIWEST’s RACK400 4K UHD and Multi-HD Encoder Kicks Off for Live Remote Production
New encoders are aimed at broadcasters expanding remote production for live events including sports, concerts and interactive TV shows.
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Oh, Yes, Remote Media Workflows Are Here To Stay
New survey from remote production tech firm Teradici finds that the widespread adoption of working off-site will continue post COVID-19.
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IP and Remote Production Top Broadcast Agendas
Haivision’s new Broadcast IP Transformation Report shows that tight budgets are hampering some plans to migrate to IP and cloud technology.
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Research IDs the Five Key Models of Live Remote Production
The UK’s Digital Production Partnership published its first “Going Live & Remote” report, defining five models for producing live content.
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Reviewing the Workflow: World-First Remote Approach for Nordic World Ski 2021
“I think the most difficult question of these times is, how can we achieve a production quality we want to give to our rights holders and how can we manage not to have COVID impact the quality we deliver?”
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How “Love Island USA” Pivoted to 24/7 Remote Production During the Pandemic
“The team was really spread around the world,” explains Bexel/NEP’s Rod Allen. Shooting took place in Las Vegas, while “our loggers were in Australia, [the post] team was in Los Angeles and Las Vegas, our technical consultant was in the Philippines and management was in the UK.”
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Sports Production and 5G Make a Very Cute Couple
This summer’s sports broadcasting schedule means a new dawn for 5G, a technology that promises to revolutionize live production.