How live productions are centralizing operations in the cloud, consolidating workflows, improving efficiency and reducing redundancy

The business case to protect content is clear. Piracy extorts revenues, fosters black-market criminal activity and erodes earnings.

Rights management platform Rightsline pinpoints two main metrics for measuring a streaming company’s success.

The Switch’s Robert Szabo-Rowe discusses alternative satellite broadcasting methods to support more flexible and efficient content creation.

B1SmartTV partners with NativeWaves to bring the Sportworld multiscreen app to more than five million Samsung Smart TVs in Germany.

Major public broadcasters and the IOC are wooing a younger audience for the Tokyo 2020 Olympics with digital and interactive options.

ESPN networks and ABC are presenting all 51 matches and 140 combined hours of live coverage of the delayed UEFA European Football Championship 2020, June 11 through July 11. Throughout […]

Is soccer’s growing popularity in the US translating into premium value for broadcast rights? What is the potential and where is it seen among the other major US sports in the coming years?

Super Bowl LV engaged fans with mobile aps, interactive viewing experiences, and cinematic photography captured by more than 120 cameras.

If IP remote/distributed/decentralized production was a no-brainer, why did it require a global pandemic to see its widespread adoption?