Sohonet CEO Chuck Parker forecasts that remote production workflows will become the norm post-pandemic, improving artists’ quality of life.

NAB Show partners with Future Media Conferences to bring in-person training sessions from industry experts to Las Vegas this April 21–27.

“Stop thinking about proxies or blocky transcoded files. Start thinking about 8K raw data, streamed from your camera to the cloud.”

During the pandemic crisis live production has adapted and evolved to a distributed, working from home model, but what about the future?

Workflow innovations within the sports production industry are key in the battle for eyeballs.

A new report from Altman Solon finds virtual production is on the rise, but costs and finding experienced talent remain industry challenges.

“Andor” creator and showrunner Tony Gilroy and editor John Gilroy recount the complexities of bringing the Star Wars episodic to the screen.

Editor Bob Ducsay, ASC on the layers of structure and sleight-of-hand behind writer-director Rian Johnson’s “Knives Out: Glass Onion.”

This poetic, languorous (and award-winning) documentary features a family effort to rescue and heal black kites in Delhi as the city deals with social upheaval.

Containing nearly 10,000 VFX shots, post-production on the first season of “The Lord of the Rings: The Rings of Power” was enabled by AWS.

From virtual visualization and virtual location scouting to greenscreen sets, there’s a lot more to virtual production than LED walls.

The use of LED walls and LED volumes — a major component of virtual production — can be traced directly back to the front- and rear-projection techniques common throughout much of the 20th century.