AI technology may soon allow consumers to generate infinite versions of hyper-realistic synthetic media, according to Cannes Next panelists.

A new white paper from Interdigital benchmarks the carbon footprint of global video entertainment as higher than the airline industry.

Backed by hard science, cosmologist George Ellis arranges the four distinct “levels” of the multiverse into a hierarchy.

Ensuring radio is integrated into Google’s open-source Android Automotive system is a priority.

In ‟El Conde,” Chilean director Pablo Larraín turns the story of General Augusto Pinochet into a stomach-turning tragicomic melodrama-horror movie.

The most effective AI users fall into two camps: cyborgs and centaurs, navigating “the jagged frontier of AI,” according to a study from HBR and BCG.

“Only Murders in the Building” editor Shelly Westerman will join Bobbie O’Steen at NAB Show New York’s Insight Theater Oct. 25 at 3 p.m.

Evan Shapiro’s latest map of the media universe has a new look. (And if you think that the resemblance to old-school video games is coincidental, you’re fooling yourself.)

Director Gareth Edwards considers the debates around AI, reflected in his film “The Creator:” “Should we embrace it or should we destroy it?”

Editor Tessa Verfuss on the making of Netflix’s $144 million live-action adaptation of bestselling manga pirate adventure “One Piece.”

Aidin Robbins and Eric Matt shot a documentary in the Alps and across glaciers. Learn how they managed both mountaineering and filmmaking.

Post-production consultant Jeff Greenberg reviews AI-assisted post-production tools to revolutionize your video and music editing process.