Luring viewers to streaming platforms, WarnerMedia and NBCUniversal have spent millions on classic shows like “Friends” and “The Office.”

The series revisits 1960s Palm Beach, with visuals inspired by photographer Slim Aarons and captured by cinematographer Todd McMullen.

Cinematographer Sam Care and director Peter Hoar pay tribute to 1970s “Crossroads” star Noele Gordon, affectionately known as “Nolly.”

Series director Gus Van Sant travels back to 1966 for Truman Capote’s High Society New York ball, recreated as a Maysles-style documentary.

Here’s how director Steven Soderbergh shot the supernatural “Presence” entirely from the ghost’s perspective.

Cinematographer Charlotte Bruus Christensen approached the FX series “like a seven-hour movie.”

Holly Willis, professor of cinematic arts at USC, explains the impact of fears over artificial intelligence on the Hollywood strikes.

Cinematographer Larkin Seiple goes from restrained to “full Coen Brothers mayhem” for the Netflix series “Beef.”

NAB Show named the winners of its fifth annual Product of the Year Awards April 18 at the 2023 NAB Show in Las Vegas.

By JIM LOUDERBACK TL;DR This Week: Neal Mohan reveals YouTube’s creator-centric priorities while Shorts monetization lags. TikTok rolls out time limits for teens while the U.S., Canada, U.K. and the EU ratchet up the pressure. Plus, Twitch’s never-ending creator problems, the surprising upside of paid verification, a call to restrict AI research and new crypto […]

“The Last Jedi” and “Glass Onion” director Rian Johnson on his new Peacock “howcatchem” series, “Poker Face,” starring Natasha Lyonne.

AI-generated art has advanced by leaps and bounds, but studios and audiences alike might not yet be ready for its Hollywood closeup.