Employing an all-Norwegian crew and VFX vendors, Norway’s “Troll” has toppled “RRR” to become Netflix’s best performing non-English film.

Hollywood is bringing class warfare out into the open with the release of films like “Glass Onion,” “The Menu,” and “Triangle of Sadness.”

Director Ali Abbasi’s film noir “Holy Spider” is especially resonant for audiences amid the Iranian anti-misogyny protest movement.

Alejandro González Iñárritu’s “Bardo” is a personal odyssey through the mind of the Mexican auteur and, by extension, Mexican history.

Generative AI could revolutionize filmmaking and animation as text-to-video tools like Phenaki and Google’s DreamFusion continue to advance.

AI tools may not be ready for their big screen close up, but it won’t be long until these technologies become widely adopted in Hollywood.

Marvel leapfrogs greenscreen technology, employing ILM StageCraft’s The Volume to power virtual production on “Thor: Love and Thunder.”

Could the life-affirming nature of “nicecore” stories like “Everything Everywhere All At Once” shield them from criticism?

Can the case be made that the entire “Jackass” series, including “Jackass Forever,” deserves serious recognition as documentary art?

Writer/director Mike Mills discusses the making of his black-and-white comedy-drama starring Joaquin Phoenix and Woody Norman.

Recent wide release strategies for indie films don’t appear to be working despite stellar critical reviews, says Variety’s Owen Gleiberman.

Director Kiyoshi Kurosawa’s first period film, “Wife of a Spy,” was shot with Sharp 8K cameras equipped with Zeiss Master Prime lenses.