406 Results for Motion Picture / Film Production
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Delivering Virtual Production Services for Projects of All Sizes
VŪ’s Megan Hill breaks down the virtual production options for a range of clients, projects, sectors, and budgets.
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The Game-to-TV-and-Film Pipeline Is… Flowing
Hollywood is commissioning more video game adaptations than ever, but the video game industry isn’t necessarily flocking to Tinsel Town.
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Cinema Audiences Want That Engagement and Emotion. Here’s How to Rethink Release Strategies.
Jackie Brenneman, founding partner of The Fithian Group, says the movie theater exhibition business has now entered the true digital age.
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“The Zone of Interest:” New Holocaust Film Powerfully Lays Bare the Mechanisms of Genocide
Writer and director Jonathan Glazer’s film “The Zone of Interest” uncovers the day-to-day banality of the horrors of the Holocaust.
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Cinematographer Cristina Dunlap’s Real/Surreal Approach for “American Fiction”
DP Cristina Dunlap discusses the making of debut feature director Cord Jefferson’s critically acclaimed satire “American Fiction.”
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“The Zone of Interest:” Ways to Film the Unfilmable
Director Jonathan Glazer pursued an immersive naturalism in “The Zone of Interest” by removing the artifice and conventions of filmmaking.
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How “Napoleon” Editors Sam Restivo and Claire Simpson Conquered the Film’s Massive Amount of Multi-Camera Media
Editor Sam Restivo discusses the process of making Ridley Scott’s “Napoleon” alongside the director’s longtime editor Claire Simpson.
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“Napoleon:” Ignore the Griping Over Historical Details, Ridley Scott’s Film Is a Meditation On the Madness of Power
As meditation on the madness of power, a cultural studies professor argues that Ridley Scott’s “Napoleon” needn’t be historically accurate.
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Social Commentary But Make it Cinematic: Production for “In a State of Change”
Filmmakers Donal Boyd and Frank Nieuwenhuis sought to help people understand the impact of climate change on Iceland’s glaciers and on Icelanders.
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“Special Ops: Lioness” Director/Cinematographer Paul Cameron Aims for Action and Emotion
“Sometimes you need to be a bit bold and break the ‘Five Cs of Cinematography’” says Cameron, “and deconstruct them.”
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Pretty/Scary: Cinematographer Aaron Morton on “No One Will Save You”
“One phrase we had was that horror can be beautiful,” says cinematographer Aaron Morton. “We tried to make a beautiful film that was scary.”
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Taylor’s Version: How the “Eras Tour” Concert Film Could Change Cinema
Through “The Eras Tour,” Taylor Swift is “passing a $100M screen test,” according to Variety, and other critics agree the concert film is worth a watch.