While AI won’t likely replace many jobs in the foreseeable future, it’s going to increasingly become a part of the M&E industry’s workflows.

The ASWF’s David Morin explains why the development of a strong software engineering community is critical to the future of film production.

Katrina King, global strategy leader for content production at AWS, on the impact of cloud production on the future of film & TV production.

Employing an all-Norwegian crew and VFX vendors, Norway’s “Troll” has toppled “RRR” to become Netflix’s best performing non-English film.

Hollywood is bringing class warfare out into the open with the release of films like “Glass Onion,” “The Menu,” and “Triangle of Sadness.”

A new report from Altman Solon finds virtual production is on the rise, but costs and finding experienced talent remain industry challenges.

This poetic, languorous (and award-winning) documentary features a family effort to rescue and heal black kites in Delhi as the city deals with social upheaval.

Director Ali Abbasi’s film noir “Holy Spider” is especially resonant for audiences amid the Iranian anti-misogyny protest movement.

Alejandro González Iñárritu’s “Bardo” is a personal odyssey through the mind of the Mexican auteur and, by extension, Mexican history.

From virtual visualization and virtual location scouting to greenscreen sets, there’s a lot more to virtual production than LED walls.

Generative AI could revolutionize filmmaking and animation as text-to-video tools like Phenaki and Google’s DreamFusion continue to advance.

Writer-director Martin McDonagh fuses his trademark dark humor with something altogether more profound in “The Banshees of Inisherin.”