Filmmakers Donal Boyd and Frank Nieuwenhuis sought to help people understand the impact of climate change on Iceland’s glaciers and on Icelanders.

“Sometimes you need to be a bit bold and break the ‘Five Cs of Cinematography’” says Cameron, “and deconstruct them.”

“One phrase we had was that horror can be beautiful,” says cinematographer Aaron Morton. “We tried to make a beautiful film that was scary.”

Through “The Eras Tour,” Taylor Swift is “passing a $100M screen test,” according to Variety, and other critics agree the concert film is worth a watch.

Gareth Edwards’ film was shot on a relatively small budget of $80 million, yet looks like a blockbuster that cost significantly more.

Mobile production makes you a better filmmaker. Rubidium Wu explains how.

Aidin Robbins and Eric Matt shot a documentary in the Alps and across glaciers. Learn how they managed both mountaineering and filmmaking.

The transition from still photographer to cinematographer should be simple, right? That’s what Jeff Berlin thought.

DP Robert Yeoman faced harsh sunlight, windy exteriors, and the idiosyncratic vision of the director for Wes Anderson’s “Asteroid City”

A 2023 NAB Show session hosted by NAB Amplify talks up the benefits of AI as a tool to speed efficiencies in film production.

NAB Amplify’s Jennifer Wolfe discusses the MovieLabs 2030 Vision Initiative and what it means for the future of motion picture production.

A new survey of Hollywood filmmakers reveals how the motion picture industry is responding to the growing trend of virtual production.