The latest developments in the short-form video space, where YouTube and TikTok are battling for your attention and money.

Continued growth will be driven by marketing through short-form videos on platforms like Instagram, TikTok, and YouTube.

Director Emerald Fennell’s film is part queasy satire, part gothic horror… and Linus Sandgren shoots it like a dream.

Elena Piech, creative producer at ZeroSpace, shows how AI can allow you to “do more of the creative decision making.”

Are we the last generation to make decisions about AI? Gartner offers 10 predictions for technology in 2024 (and beyond).

“One phrase we had was that horror can be beautiful,” says cinematographer Aaron Morton. “We tried to make a beautiful film that was scary.”

Many creatives have been struggling over generative AI. Dave McKean went one step further: He wrote a book as he processed how this would change his work and our society. 

FAST is now both incredibly popular and immensely disjointed, even “more fragmented than cable TV used to be,” says Evan Shapiro. 

Will GenAI tools like DALL-E help us survive and thrive as a creative species, or are they the death knell of creativity as we know it?

Artist Refik Anadol employs machine learning algorithms to create an immersive digital experience projected onto the Las Vegas Sphere.

“In the end, this is about trying to make a connection with our audience,” says U2’s Bono. “it’s Las Vegas or bust, baby.”

A 16K AI-generated immersive artwork for the Sphere in Las Vegas celebrates the “king of rock’n’roll” with suitably exaggerated excess.