“Andor” creator and showrunner Tony Gilroy and editor John Gilroy recount the complexities of bringing the Star Wars episodic to the screen.

Editor Joe Walker details his collaboration with director Denis Villeneuve to find simplicity and economy in the Frank Herbert adaptation.

“Hacks” editor Jessica Brunetto balances drama and comedy in the HBO Max series starring Jean Smart and Hannah Einbinder.

ACE editors A.J. Catoline and Melissa McCoy on editing “Ted Lasso” — it’s all about teamwork and passing the ball.

Lead editor Amy E. Duddleston, ACE details how pandemic-forced delays impacted production and post-production for the hit HBO series.

Editor Myron Kerstein, ACE helps turn Lin-Manuel Miranda’s exuberant celebration of NYC’s Latino culture into a big-screen block party.

Thomas Flight delves into the editing choices in the two films, exploring their impact and overall feel.

“I think the reason that I love this process so much is that I’m the first person that gets to see a scene as it’s being created.”

“The merging of disciplines had to be constant and never-ending. It was truly next-level, not just because of the bells and whistles we were able to come up with, but in the techniques we used.”

Oscar-nominated documentary filmmaker Matthew Heineman’s “Retrograde” captures the final months of the 20-year US war in Afghanistan.

FAST channels are a win-win situation for content owners, publishers and end-users, but ad insertion remains one of the biggest challenges.

A new report from TikTok predicts the shortform video platform will inspire people to test out new ways of thinking and behaving in 2023.