Of course security needs to be secure. But what if security could also enable amazing innovations and new business models to happen?

The spectacular “The Weeknd: Live at SoFi Stadium” employed 25 Sony Venice cameras to capture live concert footage for the HBO Max special.

Kendrick Lamar’s “The Big Steppers: Live from Paris” employed multiple digital cinema cameras to deliver a livestreamed outdoor broadcast.

How Brett Morgen’s “Moonage Daydream” became a less of a documentary and more of an experience.

The International Cinematographers Guild names 10 honorees for the 2022 Annual Emerging Cinematographer Awards to be held on October 2.

Tom Gormican and Kevin Etten wrote “The Unbearable Weight of Massive Talent” as a love letter to Nick Cage’s history and public persona.

Cinematographer Greig Fraser employs the ARRI Alexa LF large-format digital camera for his collaboration with Denis Villeneuve on “Dune.”

The pandemic presents the perfect opportunity for theaters to retool outmoded business models with more flexible pricing and programming.

With the largest domestic box office debut since the pandemic began, the opening weekend for Marvel’s “Black Widow” is the latest test case.

NFTs make sense for Hollywood. IP is king, and some posit the difficult-to-dupe nature of these tokens may solve ownership quandaries for makers and consumers.

DP Alice Brooks employs the Panavision DXL2 to shoot the film adaptation of Lin-Manuel Miranda’s multi-Tony Award-winning stage musical.

Cinematographer Pawel Pogorzelski, ASC employs the RED Helium for Universal’s stylish action-thriller starring Bob Odenkirk.