Much of the success of “Baby Reindeer” can be credited to the deft editing required of Peter Oliver that changes tones throughout the series.

“Utilizing digital humans integrated with AI helps to bridge the gap between technology [and] people,” says Rob Sims, CEO at Sum Vivas

ETC@USC’s latest proof-of-concept film, “Europa,” explores the application of metadata and remote collaboration in on-set virtual production.

From Blackmagic, Frame.io, EditShare, Backblaze and more, see all the latest developments in cloud workflows to emerge from NAB Show 2024.

Winners of 2024 Product of the Year Awards were announced at NAB Show during a ceremony at the Las Vegas Convention Center.

A number of significant new camera releases at the 2024 NAB Show demonstrate how technology innovation is fast and furious.

Light Iron developed and deployed an all-cloud workflow for dailies, VFX pulls, conform and color on Mel Eslyn’s TV series, “Penelope.”

DP Callan Green on lensing Guy Ritchie’s action-comedy crime series, “The Gentlemen,” including how they captured that big boxing match.

Director Steven Zaillian and DP Robert Elswit discuss the meticulous black-and-white visuals for Netflix psychological thriller “Ripley.”

DP Cristina Dunlap discusses the making of debut feature director Cord Jefferson’s critically acclaimed satire “American Fiction.”

British filmmaker Alan Warburton’s short film “The Wizard of AI” explores the wonder and panic that artists face with generative AI.

Director Emerald Fennell’s film is part queasy satire, part gothic horror… and Linus Sandgren shoots it like a dream.