Filmmaker Patrick Tomasso discusses how A-list directors and DPs are electing to shoot movies on less expensive, prosumer-style imagers.

A number of significant new camera releases at the 2024 NAB Show demonstrate how technology innovation is fast and furious.

High-end productions like “Civil War” and “The Creator” are turning to prosumer and even consumer gear for cinematic-quality visuals.

Director Steven Zaillian and DP Robert Elswit discuss the meticulous black-and-white visuals for Netflix psychological thriller “Ripley.”

Cinematographer Sam Care and director Peter Hoar pay tribute to 1970s “Crossroads” star Noele Gordon, affectionately known as “Nolly.”

Series director Gus Van Sant travels back to 1966 for Truman Capote’s High Society New York ball, recreated as a Maysles-style documentary.

The HBO Camera Assessment Series is a feature-length movie design to demo cameras. NAB Show will screen the most recent assessment on April 15.

“The Woman in the Wall” centers on a woman grappling with the trauma of time in a Magdalene laundry, complicated by the deaths of two people connected to her incarceration there.

Showrunner, writer and director Issa López discusses her approach to the new season of anthology series “True Detective: Night Country.”

Oscar-winning director Steve McQueen’s four-hour documentary feature, “Occupied City,” provides two simultaneous portraits of Amsterdam.

Director Todd Haynes uses stylized visuals to examine how little people understand about perception (and reality) in “May December.”

The Hunger Games are back with director Francis Lawrence and cinematographer Jo Willems, this time as a prequel.