192 Results for Cameras and Lenses
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The World Is a Vampire: “El Conde” and Pablo Larraín’s Monochrome Madness
In ‟El Conde,” Chilean director Pablo Larraín turns the story of General Augusto Pinochet into a stomach-turning tragicomic melodrama-horror movie.
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How Do You Fairly Compare Cameras?
The HBO Camera Assessment Series is a feature-length movie that employs staged scenes to demonstrate the strengths—and weaknesses—of cameras.
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Color, Psychology, and the Age of Image Permafrost
Research from Nice Shoes delves into the relationship between color and narrative, exploring its applications for storytelling.
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What It Takes to Translate a Game to a Series: Production and Post on “The Last of Us”
NAB Show 2023 draws standing-room only audience for “American Cinema Editors Presents HBO’s ‘The Last of Us’” panel discussion.
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CineCentral’s Craft Clinics Bring Hands-On Training to NAB Show
NAB Show’s inaugural CineCentral is a Central Hall “base camp” for the creative community, featuring both paid and free craft clinics.
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Filming Under Fire: “Retrograde” and the Realities of War
Oscar-nominated documentary filmmaker Matthew Heineman’s “Retrograde” captures the final months of the 20-year US war in Afghanistan.
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When Your Story is a Film But Also a Crazy Dream: Alejandro González Iñárritu’s “Bardo”
Alejandro González Iñárritu’s “Bardo” is a personal odyssey through the mind of the Mexican auteur and, by extension, Mexican history.
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Control and Chaos: How Todd Field Tells the Story of “Tár”
Writer-producer-director Todd Field’s first film in 16 years, “Tár” explores the cult of personality, power imbalances and cancel culture.
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AR, VR, XR and MR Create New Realms for Production
From sports coverage to the lecture hall, new options abound.
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“The Northman:” Vengeance Is Exhausting and Muddy
With “The Northman,” director Robert Eggers battles with himself to deliver the definitive Viking movie.
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“A Very British Scandal” Is Still Pretty Scandalous (60 Years Later)
BBC series about the tempestuous marriage and brutal divorce of the Duke and Duchess of Argyll was shot by cinematographer Si Bell.
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How “Pachinko” Connects the Past and Present
Showrunner Soo Hugh’s adaptation of Min Jin Lee’s “Pachinko” for Apple TV+ masterfully weaves the intricate tapestry of a Korean family.