Oscar-nominated documentary filmmaker Matthew Heineman’s “Retrograde” captures the final months of the 20-year US war in Afghanistan.

Alejandro González Iñárritu’s “Bardo” is a personal odyssey through the mind of the Mexican auteur and, by extension, Mexican history.

Writer-producer-director Todd Field’s first film in 16 years, “Tár” explores the cult of personality, power imbalances and cancel culture.

From sports coverage to the lecture hall, new options abound.

With “The Northman,” director Robert Eggers battles with himself to deliver the definitive Viking movie.

BBC series about the tempestuous marriage and brutal divorce of the Duke and Duchess of Argyll was shot by cinematographer Si Bell.

Showrunner Soo Hugh’s adaptation of Min Jin Lee’s “Pachinko” for Apple TV+ masterfully weaves the intricate tapestry of a Korean family.

To fine-tune the look of “Winning Time,” Company 3 Hollywood senior colorist Walter Volpatto evokes the feel of older imaging technology.

Despite a number of recent eye-popping productions, film critic Emily VanDerWerff decries Hollywood’s penchant for using desaturated color.

When audiences across the world sit down to watch the Beijing Winter Olympics, they’ll do so from the warmth and comfort of the lounge. At the other end of the […]

Amsterdam’s Rijksmuseum has a digital copy of Rembrandt’s “The Night Watch,” which it says is “the largest and most detailed photograph of any artwork.”

New HBO limited series shot by Erik Alexander Wilson, BSC is based on a true crime story originating from England in the 1990s.