Intel announces plans to experiment with multiple streams of High Frame Rate High Dynamic Range 8K and even 16K at the Paris Olympics.

According to Panasonic, this camera “combines the cinema-quality video performance of the LUMIX S1H with an easy-to-deploy box-style profile.”

Tech giants continue to bet on XR devices replacing smartphones as the dominant computing platform, with billions of daily users globally.

Ad pullback continues as YouTube revenue declines. New Gen AI breakthrough adds recursion and autonomy.

While AI won’t likely replace many jobs in the foreseeable future, it’s going to increasingly become a part of the M&E industry’s workflows.

Kendrick Lamar’s “The Big Steppers: Live from Paris” employed multiple digital cinema cameras to deliver a livestreamed outdoor broadcast.

Company 3’s Masick explains that “Tár” writer/director director Todd Field “wanted the images to look authentic and untouched.”

Writer-producer-director Todd Field’s first film in 16 years, “Tár” explores the cult of personality, power imbalances and cancel culture.

A new white paper from Sony and Epic Games examines the impact of LED wall technology on workflow and final picture performance.

In season two of “Russian Doll,” Natasha Lyonne attempts to answer the question, “Now that I’ve stopped dying, how do I start living?”

“We’ve seen an increased demand for high-quality content, a rapid expansion of streaming platforms and a shift to remote production workflows.”

With “The Northman,” director Robert Eggers battles with himself to deliver the definitive Viking movie.