A number of significant new camera releases at NAB Show 2024 demonstrate that technology innovation is far from dead in broadcast TV.

Light Iron developed and deployed an all-cloud workflow for dailies, VFX pulls, conform and color on Mel Eslyn’s TV series, “Penelope.”

Strada co-founder and CEO Michael Cioni highlights the transformative potential of “utility AI” in automating mundane production tasks.

GenAI has been hailed for its transformational potential, but questions about intellectual property and copyright protection persist.

Watch “Creator Economy Amplified: Building the Creative Stack.” TL;DR Navigating the creator economy is akin to exploring a vast digital ecosystem, where content is the currency and creativity knows no […]

Battle lines will be drawn in case law, proprietary versus open-source technology, and Hollywood studios versus everyone else.

Through “The Eras Tour,” Taylor Swift is “passing a $100M screen test,” according to Variety, and other critics agree the concert film is worth a watch.

Whelden believes that a DP’s role is to help the director execute their vision, while also making sure that the best ideas are heard.

Interested in exploring Hudson Yards with a camera, lighting, a model, and a guide? Sign up for the Fujifilm Photowalks at NAB Show New York.

Sports cinematographer Domenick Satterberg charts the history of NFL Films and reveals the camera techniques he uses to capture the action.

SkillUP! and unlock the full potential of your career in Media in Part 2 of our Q&A with media universe cartographer Evan Shapiro.

Live concert director Paul Dugdale explains his approach to capturing live performances, including how he captures a performer’s energy.