Find out why more and more major productions are trusting Leader Instruments with their test and measurement needs.

The live production sector is more sluggish than most amid tightening carbon reduction policies to achieve corporate sustainability goals.

The 2022 Glastonbury Festival played host to more than 80 live acts performing for 200,000 attendees, and millions more at home.

There’s nothing to fear in moving beyond “the old way.” The technology is here today for a successful reinvention of live sports production.

ESL Gaming’s Simon Eicher, BLAST’s Nicolas Estrup and Faceit’s Andrew Lane on cloud-based workflows, virtualization and remote production.

“It’s caused us all to change and it’s for the better, and it’s going to allow us to look very different in three or five years from now.”

The sport’s broadcasters are continuing with a remote integration model (REMI) while planning to get back to the ballpark as the season progresses.

Extreme E is an ambitious attempt to fuse live sports with environmental awareness, using as lean a production footprint as it’s possible to achieve.

“Once we stop looking at moving current production technologies and workflows to the cloud and instead ask how we reinvent live production it totally transforms how we cover events.”

Forget the online product demos that you’ve been watching over the past months. These are Amped up interactive events that make you as much about the experience as the presenter.

To meet the challenge of live sports production under COVID-19, Sky Sports deployed robust cloud-based workflows and remote editing kits.

Mark Cuban joins NAB’s Josh Miley in discussion on broadcast viewership, streaming, the current media and business ecosystem, and more.