While assembling “Dune: Part 2,” editor Joe Walker, ACE referenced both James Bond movies and animated Road Runner cartoons by Chuck Jones.

Fresh research from Deloitte highlights a growing trend, challenging the notion that Gen Z only prefers short-form videos.

Series director Gus Van Sant travels back to 1966 for Truman Capote’s High Society New York ball, recreated as a Maysles-style documentary.

DP Jomo Fray and director Raven Jackson employ the language and techniques of poetry for her debut feature “All Dirt Roads Taste of Salt.”

From bundling to licensing, the lines between streaming and linear continue to blur in 2024 as we enter the next phase of the streaming war.

The film balances the darkness of change and war (always implied, never seen) with a fantastical world of vibrant creatures and characters.

The White House’s directive to create “standards and best practices for detecting AI-generated content and authenticating official content” is important for creators and media companies to keep an eye on.

The furor over AI obscures the fact that the issues the guilds are striking against can be decided with simple extensions to existing laws.

Amid ambivalence about the emerging technology, a new survey from The Verge and Vox Media shows broad support for US regulations on AI.

The “IMAX Beyond the Big Screen” panel at the 2023 NAB Show discussed how the large-format company is bringing content to the home screen.

With Susan Wojcicki stepping back at YouTube, it’s certainly the end of an era. But I’d rather look forward than back.

AI-generated art has advanced by leaps and bounds, but studios and audiences alike might not yet be ready for its Hollywood closeup.