76 Results for HMI
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How Erik Messerschmidt Post-Produced His Cinematography for “The Killer”
Cinematographer Erik Messerschmidt employed a blend of practical and digital techniques for David Fincher’s latest film, “The Killer.”
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Superfan Connections are Key to the New Creator Economy, Contends Patreon’s Jack Conte
Patreon CEO Jack Conte explains how current internet algorithms are threatening the creative freedom and livelihoods of creators.
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How Broadcasters Can (Will) Get With the Social Program
Programming Everywhere curator Michael Depp on the convergence of traditional broadcasting with the world of social media at NAB Show 2024.
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What is Sora? Inside the New Generative AI Tool That Could Transform Video Production
OpenAI’s new text-to-video generative AI tool Sora could transform video production while also amplifying disinformation risks.
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Reading Between the Lines: Gen Z Really Loves Closed Captions
New survey results show that more than half of Gen Z and millennial media consumers prefer subtitles while watching television.
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The Algorithm Abides: Have You Noticed a Certain… Sameness in Society?
Kyle Chayka considers the origins and inadvertent consequences of a society that consumes content via algorithmically driven newsfeed.
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Deepfakes, Disinformation, Data Leaks: Being Online Is… Not Great
The WEF highlights AI-generated mis- and disinformation as the main issue impacting global politics and security over the next two years.
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AI Is Here — and Everywhere: Researchers Look at the Challenges for 2024
Researchers look ahead and anticipate the issues AI developers, regulators and everyday consumers are likely to face in 2024.
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AI for M&E: Things Are Going to Get Complicated
Battle lines will be drawn in case law, proprietary versus open-source technology, and Hollywood studios versus everyone else.
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“A Murder at the End of the World” — This Show Has Everything: True Crime, Tech Paranoia and Truly Gorgeous Visuals
Cinematographer Charlotte Bruus Christensen approached the FX series “like a seven-hour movie.”
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“The Holdovers:” Alexander Payne and Kevin Tent on the Director-Editor Collaboration (and They Should Know)
Longtime friends and collaborators, director-screenwriter-producer Alexander Payne and editor Kevin Tent, ACE reunite for their eighth film.
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How the Team From “The Killer” Sustains Its Style and Structure
“Bring the audience to a place they are not used to being, close to this assassin,” explains DP Erik Messerschmidt