At NAB Show, VR Production Workshop instructor Nick Harauz will guide attendees through a two-day on- and off-site hand-on workshop.

IMAX is in the spotlight at NAB Show 2024 with “SMPTE’s Future of Cinema: The Art and Science of IMAX” panel discussion.

DP Cristina Dunlap discusses the making of debut feature director Cord Jefferson’s critically acclaimed satire “American Fiction.”

Cinematographer Erik Messerschmidt employed a blend of practical and digital techniques for David Fincher’s latest film, “The Killer.”

“Once you hear the words spoken, you hear the rhythms, you start to get an idea in your head, and you can begin visualizing an episode.” 

Whether you’re excited by or wary of the potential for AI, you’re trying to parse how it will change work. Adobe’s Scott Belsky takes that on.

“I grew up watching westerns,” says Scorsese. ”So for me to see [this film] on the screen — beautiful palomino horses — was heaven for me.”

Learn from New York portrait photographer Yolanda Hoskey, one of the guides leading the Fujifilm Photowalks at NAB Show New York.

Blending novelty and utility, generative AI is closer to human creativity than you think, argues University of Montana professor Erik Guzik.

Netflix’s “Painkiller” is not the first show to delve into the opioid crisis; it is likely not the last. Berg’s take relies on a strong cast and nimble crew.

The experiential Sphere in Las Vegas boasts an LED display, sound system and 4D tech that requires a completely new approach to filmmaking.

Designed by Tamschick Media+Space, the “Invisible Worlds” exhibit is housed inside a vast virtual production volume nicknamed “the bowl.”