EP Gary Goetzman, DP Jac Fitzgerald, VFX Supervisor Stephen Rosenbaum, and more detail the making of Apple TV+ series “Masters of the Air.”

“Once you hear the words spoken, you hear the rhythms, you start to get an idea in your head, and you can begin visualizing an episode.” 

Upskilling is crucial to everyone’s career, but Amy DeLouise notes women are often part of “the leaky pipeline.” #GALSNGEAR plans to fix it. 

“Once you hear the word spoken, you hear the rhythms, you start to get an idea in your head, and you can begin visualizing an episode.”       

Cinematographer Ari Wegner employs the large-format ARRI Alexa Mini LF paired with vintage lenses for her collaboration with Jane Campion.

Company 3 handles dailies, color grading and sound mixing for the Disney+ original series at its Vancouver, Toronto and Los Angeles studios.

Vizrt’s real-time virtual enhancement software for sports to include the augmented reality (AR) graphics software from Viz Arena 5.

DP Jeremy Mackie uses Logitech cameras with filter holders, a diopter, and diffusion filters for the Zoom-based movie “Language Lessons.”

Cinematographer Caroline Champetier employs the Sony VENICE camera and Zeiss Supreme Prime lenses for her latest collaboration with Carax.

Acclaimed filmmaking debut from musician and music historian Ahmir “Questlove” Thompson restores forgotten Black American history.

An HPA Tech Retreat Supersession shows the work still needed for end-to-end cloud production

Seven filmmakers around the world tested creative, connected, remote, collaborative and cloud-based workflows.