Augmented Intelligence with IBM Aspera Orchestrator

Managing video content libraries is an evolving challenge facing everyone in the media and…

Practical AI Encoding with MediaKind

Today’s media landscape must serve a broader range of media…

Is Cloud Technology There Yet?

* Winner: 2021 BEIT Conference Best Paper Award * An…

Live Video Transport on the Cloud with JPEG XS and CDI

Media companies are used to high quality, low latency IP…

How to Maximize Hybrid Cloud Capabilities for the “New Normal”

The COVID-19 pandemic has accelerated many processes that normally would…

Handling Event-based Frame Rate Conversion in OTT Streaming Services

Our customer is a global over-the-top sports subscription video streaming…

Software Encoder Creates Forward Momentum for the Industry, Part II

As discussed in last year’s paper, broadcast equipment manufacturers have…

The Importance of Remote Access, Virtualization, and Hybrid Cloud for Live and Post Production

As virtualization and GPU technologies evolve, the Media & Entertainment…

Cloud Live Production: The New Resource Perspectives for Media Tech Broadcasters – A Case Study

Globo was a traditional company of content production and distribution…

A Triple-layer Strategy for Ensuring High-Quality ATSC 3.0 Service

As the broadcast industry moves to adopt ATSC 3.0, new…

ATSC 3.0 Statistical Multiplexing – the Journey Continues

The first phase of ATSC channel sharing has been largely…

Delivering “Broadcast Internet” Services with ATSC 3.0

Next Gen TV brings the prospect of fulfilling the vision…

Improving the Video Headend Infrastructure With DASH-IF’s CMAF Ingest

CMAF is increasingly popular for large-scale delivery to OTT (Over…

Performance Evaluation of Low-Latency DASH/CMAF and Low-Latency HLS systems

We perform a detailed analysis of the capabilities and performance…

IPMX for Broadcast Installations

In September 2017, the first SMPTE ST 2110 standards for…