188 Results for editing
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Crime Scenes: Editing “Only Murders in the Building”
“Only Murders in the Building” editor Shelly Westerman will join Bobbie O’Steen at NAB Show New York’s Insight Theater Oct. 25 at 3 p.m.
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Jennifer Lame’s Pace and Process for Editing “Oppenheimer”
“Oppenheimer” editor Jennifer Lame, ACE speaks with “The Rough Cut” host Matt Feury about working with writer-director Christopher Nolan.
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When It’s All an Action Sequence: Editing “John Wick Chapter 4”
Director Chad Stahelski chose to work with editor Nathan Orloff on “John Wick 4” because he had no preconceptions about action films.
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The Academy Spotlights This Year’s Oscar Nominees for Best Editing
The Motion Picture Academy celebrates the talented editors behind the five films nominated for Best Film Editing at the 95th Oscars.
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“It’s Like Doing Four Movies in Two Years:” Editing and Post on “Andor”
“Andor” creator and showrunner Tony Gilroy and editor John Gilroy recount the complexities of bringing the Star Wars episodic to the screen.
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When Your Timeline is Somewhere Around 35,000 Years: Editing “Dune”
Editor Joe Walker details his collaboration with director Denis Villeneuve to find simplicity and economy in the Frank Herbert adaptation.
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Comedic Timing: Editing “Hacks”
“Hacks” editor Jessica Brunetto balances drama and comedy in the HBO Max series starring Jean Smart and Hannah Einbinder.
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Editing “Ted Lasso:” Yes, It’s Exactly Like a Soccer Match
ACE editors A.J. Catoline and Melissa McCoy on editing “Ted Lasso” — it’s all about teamwork and passing the ball.
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How Remote Editing Helped Make “Mare of Easttown”
Lead editor Amy E. Duddleston, ACE details how pandemic-forced delays impacted production and post-production for the hit HBO series.
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Big Screen Block Party: Editing “In the Heights”
Editor Myron Kerstein, ACE helps turn Lin-Manuel Miranda’s exuberant celebration of NYC’s Latino culture into a big-screen block party.
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The Snyder Cut Versus Justice League: How Editing Can Change Everything | Source: Fstoppers
Thomas Flight delves into the editing choices in the two films, exploring their impact and overall feel.
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Speak, Memory: Editing “Minari”
“I think the reason that I love this process so much is that I’m the first person that gets to see a scene as it’s being created.”