Computer scientist and VR pioneer Jaron Lanier explores revolutionary proposals for understanding, leveraging, and safeguarding AI.

Tech guru Jaron Lanier argues that we may need to adopt a new perspective to understand the strengths and limitations of AI.

Organized by OBS and Intel, this test will aim to show how live 8K signals can be compressed using VVC/ H.266 and sent with minimal latency over the internet.

Luca Guadagnino differentiated “Challengers” from other tennis movies through a “kinetic experience” rather than “televisual stillness.”

FAST platforms have rapidly emerged as a favorite alternative source of ad inventory, replacing eyeballs lost on traditional linear TV.

ETC@USC’s latest proof-of-concept film, “Europa,” explores the application of metadata and remote collaboration in on-set virtual production.

Finding the right tone for the film was tricky, says “The Fall Guy” editor Elísabet Ronaldsdóttir, because it was really two movies in one.

EP Gary Goetzman, DP Jac Fitzgerald, VFX Supervisor Stephen Rosenbaum, and more detail the making of Apple TV+ series “Masters of the Air.”

Media analyst Doug Shapiro suggests that pay TV is more resilient than we thought in his holistic view of the video value chain in the US.

The Taylor Swift Eras film team discusses an evolving theatrical system at NAB Show, and what it takes to make a successful concert film.

Streaming video expert Jan Ozer says AI-powered compression technologies can deliver benefits but buyers need to test claims by vendors.

Efficiency is a key focus for the streaming industry, but delving into workflows reveals the challenge of quantifying the impact of the many components.