If Twitter is good for anything, it’s the perfect venue to watch a squall unfold. Ana Kasparian of the The Young Turks‘ generated quite the dustup when she tweeted her surprise that TV and radio stations still commit air time and talent to meteorological coverage. So, naturally, a lot of people (looks like more 1,000 […]

Pushing beyond UHD into super resolutions, early adopters from sports to education are exploring newer compression techniques.

BBC Sport has leveraged advances in XR and AR to construct its virtual sets for coverage of the 2024 UEFA EURO championship.

Applied ethically, AI could create a production optimization opportunity for the industry, according to a panel of execs at NAB Show 2024.

EP Gary Goetzman, DP Jac Fitzgerald, VFX Supervisor Stephen Rosenbaum, and more detail the making of Apple TV+ series “Masters of the Air.”

Exec producer Mari Jo Winkler-Ioffreda details the sustainable production practices for “True Detective: Night Country” at NAB Show 2024.

News orgs are on their guard against AI-generated deepfake news stories, but they’re also keen to adopt AI tools to save time and money.

Director Steven Zaillian and DP Robert Elswit discuss the meticulous black-and-white visuals for Netflix psychological thriller “Ripley.”

French DP Laurent Barès discusses the lure of a London shoot and the challenges of bringing a complex narrative to the small screen.

The WEF highlights AI-generated mis- and disinformation as the main issue impacting global politics and security over the next two years.

To counter the threat of deepfakes, media companies are making moves to embed news-related video and still images with authenticity tags.

Filmmakers Donal Boyd and Frank Nieuwenhuis sought to help people understand the impact of climate change on Iceland’s glaciers and on Icelanders.