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IABM: Broadcasters Need to Clarify Cloud Economics (and Expectations)
A lack of of fully scalable, cross-platform storage is hindering cloud adoption, finds a new report from the IABM.
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Hey Sam! What’s a Pop-up Production?
What is a pop-up production? When did the M&E industry start using the term and the techniques it represents, and why? NAB CTO and EVP Sam Matheny and Marco Rota, […]
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Celebrate the Winners of the 2021 NAB Show Product of the Year Awards
Click on the image above to play the video. The awards honor breakthrough products from the 2021 NAB Show. The winners of the third annual NAB Show Product of the Year […]
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The 2021 NAB Show Virtual Events Calendar
While we can’t be together in person this year, our exhibitors are still hosting events and launching products you’ll want to know about. The following schedule of events represents press […]
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Home Runs Continue at MLB But Broadcast Game Plans Are Changing
The sport’s broadcasters are continuing with a remote integration model (REMI) while planning to get back to the ballpark as the season progresses.
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How Mesh Networks Are Making a Splash With the America’s Cup
As yachts from Italy and the holders, New Zealand, compete for the 36th America’s Cup, it is very much a high-tech event, with a broadcast infrastructure to reflect that.
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Taylor Lorenz: How the Creator Economy Became… an Economy
“Extremely Online” is WaPo columnist Taylor Lorenz’s creator-centric chronicle of social media and the birth of the creator economy.
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“Irma Vep:” A Series About Making a Movie (That’s Also a Remake) (and, Yes, It’s Meta)
Olivier Assayas’s second crack at “Irma Vep” shows that while the movie industry has changed radically, filmmaker types have not.
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New Balls Please: Video and Audio Innovation at Wimbledon 2021
Sports and events graphics company MOOV gives an eye-catching new look to BBC Sport’s on-site studio at Wimbledon 2021.
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How “Love Island USA” Pivoted to 24/7 Remote Production During the Pandemic
“The team was really spread around the world,” explains Bexel/NEP’s Rod Allen. Shooting took place in Las Vegas, while “our loggers were in Australia, [the post] team was in Los Angeles and Las Vegas, our technical consultant was in the Philippines and management was in the UK.”