A new extended reality Cube studio is the centerpiece of Discovery’s coverage of Tokyo 2020. showcasing new software and motion graphics.

Inside Epic Games’ “Broadcast and Live Events Field Guide,” designed for harnessing real-time graphics game engines in live production.

NAB Show partners with Future Media Conferences to bring in-person training sessions from industry experts to Las Vegas this April 21–27.

YouTubers Taylor Ramos and Tony Zhou acquire money, access and more for their scaled-up filmmaking appreciation series for Netflix.

Enhance your experience with exclusive education starting with the NAB Show Conference. 

Sports and events graphics company MOOV gives an eye-catching new look to BBC Sport’s on-site studio at Wimbledon 2021.

The ASWF’s David Morin explains why the development of a strong software engineering community is critical to the future of film production.

ETC@USC’s Erik Weaver discusses the making of “Fathead,” a new proof-of-concept for virtual production and cloud-based workflows.

Katrina King, global strategy leader for content production at AWS, on the impact of cloud production on the future of film & TV production.

Digital Domain’s chief technology officer Hanno Basse discusses how the development of digital humans is transforming film & TV production.

A guide from automated dubbing system Papercup outlines the best practices for developing a strategy for localization of content.

“Refik Anadol: Unsupervised” uses an AI model trained on 180,000 artworks from MoMA’s collection to produce a stream of digital images.